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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the past or something you must release, and is drawn from Mansfield Park by Jane Austen:

Fanny began to hope there would be nothing worse to be endured than a half-hour of moderate agitation. But here she hoped too much; Miss Crawford was not the slave of opportunity. She was determined to see Fanny alone, and therefore said to her tolerably soon, in a low voice, "I must speak to you for a few minutes somewhere"; words that Fanny felt all over her, in all her pulses and all her nerves. Denial was impossible. Her habits of ready submission, on the contrary, made her almost instantly rise and lead the way out of the room. She did it with wretched feelings, but it was inevitable.


Mansfield Park
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Arrow of Gold by Joseph Conrad:

I would have smiled at my absurdity if all, even the most intimate, vestige of gaiety had not been crushed out of my heart by the intolerable weight of my love for Rita. It crushed, it overshadowed, too, it was immense. If there were any smiles in the world (which I didn't believe) I could not have seen them. Love for Rita . . . if it was love, I asked myself despairingly, while I brushed my hair before a glass. It did not seem to have any sort of beginning as far as I could remember. A thing the origin of which you cannot trace cannot be seriously considered. It is an illusion. Or perhaps mine was a physical state, some sort of disease akin to melancholia which is a form of insanity? The only


The Arrow of Gold
The third excerpt represents the future or something you must embrace, and is drawn from Options by O. Henry:

a grumbling advance on a story that the Sunday editor had reluctantly accepted. So if I was not feeling at peace with the world, at least an armistice had been declared; and I was beginning with ardor to write a description of the Brooklyn Bridge by moonlight.

"Well, Tripp," said I, looking up at him rather impatiently, "how goes it?" He was looking to-day more miserable, more cringing and haggard and downtrodden than I had ever seen him. He was at that stage of misery where he drew your pity so fully that you longed to kick him.

"Have you got a dollar?" asked Tripp, with his most fawning look and his dog-like eyes that blinked in the narrow space between his high- growing matted beard and his low-growing matted hair.


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