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Today's Stichomancy for Vladimir Putin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oedipus Trilogy by Sophocles:

PRIEST Yea, Oedipus, my sovereign lord and king, Thou seest how both extremes of age besiege Thy palace altars--fledglings hardly winged, and greybeards bowed with years; priests, as am I of Zeus, and these the flower of our youth. Meanwhile, the common folk, with wreathed boughs Crowd our two market-places, or before Both shrines of Pallas congregate, or where Ismenus gives his oracles by fire. For, as thou seest thyself, our ship of State,


Oedipus Trilogy
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Breaking Point by Mary Roberts Rinehart:

then sat down to the telephone to invite her friends. Mr. Oglethorpe, the clergyman, and his wife accepted cheerfully; Harrison Miller, resignedly. Then Mrs. Wheeler drew a long, resolute breath and invited Mrs. Sayre. When that lady accepted with alacrity Mrs. Wheeler hastily revised her menu, telephoned the florist for flowers, and spent a long half-hour with Annie over plates and finger bowls.

Jim was not coming home, and Elizabeth was dining with Nina. Mrs. Wheeler bustled about the house contentedly. Everything was going well, after all. Before long there would be a car, and Jim would spend more time at home. Nina and Leslie were happy again. And Elizabeth - not a good match, perhaps, but a marriage for love, if


The Breaking Point
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

generally assumes them to be during their lifetime: that is, a licentiously irregular group to be kept in order in a rough and ready way by a magistrate who will stand no nonsense from them. But I cannot admit that the class represented by Eschylus, Sophocles, Aristophanes, Euripides, Shakespear, Goethe, Ibsen, and Tolstoy, not to mention our own contemporary playwrights, is as much in place in Mr Redford's office as a pickpocket is in Bow Street. Further, it is not true that the Censorship, though it certainly suppresses Ibsen and Tolstoy, and would suppress Shakespear but for the absurd rule that a play once licensed is always licensed (so that Wycherly is permitted and Shelley

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Black Tulip by Alexandre Dumas:

From that moment he began to dodge the steps of Rosa, not only following her to the garden, but also to the lobbies.

Only as this time he followed her in the night, and bare-footed, he was neither seen nor heard except once, when Rosa thought she saw something like a shadow on the staircase.

Her discovery, however, was made too late, as Boxtel had heard from the mouth of the prisoner himself that a second bulb existed.

Taken in by the stratagem of Rosa, who had feigned to put it in the ground, and entertaining no doubt that this little


The Black Tulip