Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for W. C. Fields

The first excerpt represents the past or something you must release, and is drawn from Summer by Edith Wharton:

Y.M.C.A. hall, with white walls and an organ; but Harney led Charity to a glittering place--everything she saw seemed to glitter--where they passed, between immense pictures of yellow-haired beauties stabbing villains in evening dress, into a velvet-curtained auditorium packed with spectators to the last limit of compression. After that, for a while, everything was merged in her brain in swimming circles of heat and blinding alternations of light and darkness. All the world has to show seemed to pass before her in a chaos of palms and minarets, charging cavalry regiments,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Island of Doctor Moreau by H. G. Wells:

felt it the same. Made a dead set at the poor devil. You saw the captain?"

Suddenly the puma howled again, this time more painfully. Montgomery swore under his breath. I had half a mind to attack him about the men on the beach. Then the poor brute within gave vent to a series of short, sharp cries.

"Your men on the beach," said I; "what race are they?"

"Excellent fellows, aren't they?" said he, absentmindedly, knitting his brows as the animal yelled out sharply.

I said no more. There was another outcry worse than the former. He looked at me with his dull grey eyes, and then took some


The Island of Doctor Moreau
The third excerpt represents the future or something you must embrace, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

him, is one of the richest men in Europe. He could buy all London to-morrow without overdrawing his account. He has a house in every capital, dines off gold plate, and can prevent Russia going to war when he chooses.'

'What on earth do you mean?' exclaimed Hughie.

'What I say,' said Trevor. 'The old man you saw to-day in the studio was Baron Hausberg. He is a great friend of mine, buys all my pictures and that sort of thing, and gave me a commission a month ago to paint him as a beggar. QUE VOULEZ-VOUS? LA FANTAISIE D'UN MILLIONNAIRE! And I must say he made a magnificent figure in his rags, or perhaps I should say in my rags; they are an old suit