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Today's Stichomancy for W. C. Fields

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Apology by Xenophon:

is just a suspicion of foolhardiness in the arrogancy of his address.[5] We have, however, from the lips of one of his intimate acquaintances, Hermogenes,[6] the son of Hipponicus, an account of him which shows the high demeanour in question to have been altogether in keeping with the master's rational purpose.[7] Hermogenes says that, seeing Socrates discoursing on every topic rather than that of his impending trial, he roundly put it to him whether he ought not to be debating the line of his defence, to which Socrates in the first instance answered: "What! do I not seem to you to have spent my whole life in meditating my defence?" And when Hermogenes asked him, "How?" he added: "By a lifelong persistence in doing nothing wrong, and that


The Apology
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

he listened to my prattle indulgently enough, but with an abstracted air, like a spirit with a thing of clay. And truly, when I remember that I descanted principally on my appetite, and that it must have been by that time more than eighteen hours since Father Michael had so much as broken bread, I can well understand that he would find an earthly savour in my conversation. But his manner, though superior, was exquisitely gracious; and I find I have a lurking curiosity as to Father Michael's past.

The whet administered, I was left alone for a little in the monastery garden. This is no more than the main court, laid out in sandy paths and beds of parti-coloured dahlias, and with a fountain

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lay Morals by Robert Louis Stevenson:

transformation of the visible body, lies in wait for him outwardly in a thousand accidents, and grows up in secret diseases from within. He is still learning to be a man when his faculties are already beginning to decline; he has not yet understood himself or his position before he inevitably dies. And yet this mad, chimerical creature can take no thought of his last end, lives as though he were eternal, plunges with his vulnerable body into the shock of war, and daily affronts death with unconcern. He cannot take a step without pain or pleasure. His life is a tissue of sensations, which he distinguishes as they seem to come more

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

But still, now and again, an afternoon thunderstorm over Banka, or even one of these vicious thick squalls, from the distant Sumatra coast, would make a sudden sally upon the group, enveloping it for a couple of hours in whirlwinds and bluish-black murk of a particularly sinister aspect. Then, with the lowered rattan- screens rattling desperately in the wind and the bungalow shaking all over, Freya would sit down to the piano and play fierce Wagner music in the flicker of blinding flashes, with thunderbolts falling all round, enough to make your hair stand on end; and Jasper would remain stock still on the verandah, adoring the back view of her supple, swaying figure, the miraculous sheen of her fair head, the


'Twixt Land & Sea