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Today's Stichomancy for Walt Disney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

good to look at and - well - exciting to handle. Some of them were more fair to see than the others; many were (to put it mildly) somewhat over-masted; all were expected to make good passages; and of all that line of ships, whose rigging made a thick, enormous network against the sky, whose brasses flashed almost as far as the eye of the policeman at the gates could reach, there was hardly one that knew of any other port amongst all the ports on the wide earth but London and Sydney, or London and Melbourne, or London and Adelaide, perhaps with Hobart Town added for those of smaller tonnage. One could almost have believed, as her gray-whiskered second mate used to say of the old Duke of S-, that they knew the


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from De Profundis by Oscar Wilde:

with pain, the menial offices with which each day begins and finishes, the harsh orders that routine seems to necessitate, the dreadful dress that makes sorrow grotesque to look at, the silence, the solitude, the shame - each and all of these things I have to transform into a spiritual experience. There is not a single degradation of the body which I must not try and make into a spiritualising of the soul.

I want to get to the point when I shall be able to say quite simply, and without affectation that the two great turning-points in my life were when my father sent me to Oxford, and when society sent me to prison. I will not say that prison is the best thing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Miracle Mongers and Their Methods by Harry Houdini:

``One of the priests held a pile of white powder on a small wooden stand. This was said to be salt--which in Japan is credited with great cleansing properties--but as far as could be ascertained by superficial examination it was a mixture of alum and salt. He stood at one end of the fire-bed and poised the wooden tray over his head, and then sprinkled a handful of it on the ground before the glowing bed of coals. At the same time another priest who stood by him chanted a weird recitative of


Miracle Mongers and Their Methods
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

all right; but if he doesn't, I sha'n't let on. I--well, I'd like to tell Pudd'nhead Wilson, but--no, I'll think about that; perhaps I won't." He whirled off another dead huzzah, and said, "I'm reformed, and this time I'll stay so, sure!"

He was about to close with a final grand silent demonstration, when he suddenly recollected that Wilson had put it out of his power to pawn or sell the Indian knife, and that he was once more in awful peril of exposure by his creditors for that reason. His joy collapsed utterly, and he turned away and moped toward the door moaning and lamenting over the bitterness of his luck. He dragged himself upstairs, and brooded in his room a long time,