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Today's Stichomancy for Walt Disney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Catriona by Robert Louis Stevenson:

decline sharply and the shadows to run out long, I rose to take my leave. For my mind was now made up to say farewell to Alan; and it was needful I should see the trysting wood, and reconnoitre it, by daylight. Catriona came with me as far as to the garden gate.

"It is long till I see you now?" she asked.

"It is beyond my judging," I replied. "It will be long, it may be never."

"It may be so," said she. "And you are sorry?"

I bowed my head, looking upon her.

"So am I, at all events," said she. "I have seen you but a small time, but I put you very high. You are true, you are brave; in time I think

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy:

were to happen, the fact of his being alone might be the death of him. Hence he made a practice of picking up any countryman or lad whom he chanced to pass by, and under the disguise of treating him to a nice drive, obtained his companionship on the journey, and his convenient assistance in opening gates.

The doctor had started on his way out of the village on the night in question when the light of his lamps fell upon the musing form of Winterborne, walking leisurely along, as if he had no object in life. Winterborne was a better class of companion than the doctor usually could get, and he at once pulled up and asked him if he would like a drive through the wood that fine night.


The Woodlanders
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Christ in Flanders by Honore de Balzac:

simple creature waited trustingly for them to be fulfilled, and scarcely feared the danger any longer.

The soldier, holding fast to the vessel's side, never took his eyes off the strange visitor. He copied on his own rough and swarthy features the imperturbability of the other's face, applying to this task the whole strength of a will and intelligence but little corrupted in the course of a life of mechanical and passive obedience. So emulous was he of a calm and tranquil courage greater than his own, that at last, perhaps unconsciously, something of that mysterious nature passed into his own soul. His admiration became an instinctive zeal for this man, a boundless love for and belief in him, such a love

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Animal Farm by George Orwell:

covered with writing, and as soon as they were so covered, they were burnt in the furnace. This was of the highest importance for the welfare of the farm, Squealer said. But still, neither pigs nor dogs produced any food by their own labour; and there were very many of them, and their appetites were always good.

As for the others, their life, so far as they knew, was as it had always been. They were generally hungry, they slept on straw, they drank from the pool, they laboured in the fields; in winter they were troubled by the cold, and in summer by the flies. Sometimes the older ones among them racked their dim memories and tried to determine whether in the early days of the Rebellion, when Jones's expulsion was still recent, things had


Animal Farm