| The first excerpt represents the past or something you must release, and is drawn from The Communist Manifesto by Karl Marx: intervention, direct or indirect, of society, by means of
schools, etc.? The Communists have not invented the
intervention of society in education; they do but seek to alter
the character of that intervention, and to rescue education from
the influence of the ruling class.
The bourgeois clap-trap about the family and education, about
the hallowed co-relation of parent and child, becomes all the
more disgusting, the more, by the action of Modern Industry, all
family ties among the proletarians are torn asunder, and their
children transformed into simple articles of commerce and
instruments of labour.
 The Communist Manifesto |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Options by O. Henry: 'one particular' for me."
"All right," said I. "It's a fair field. There are no rights for you
to encroach upon."
On Thursday afternoon Miss Ashton invited North and myself to have tea
in her apartment. He was devoted, and she was more charming than
usual. By avoiding the subject of caps I managed to get a word or two
into and out of the talk. Miss Ashton asked me in a make-
conversational tone something about the next season's tour.
"Oh," said I, "I don't know about that. I'm not going to be with
Binkley & Bing next season."
"Why, I thought," said she, "that they were going to put the Number
 Options |
The third excerpt represents the future or something you must embrace, and is drawn from Little Rivers by Henry van Dyke: the fields and plucked the ears of corn, never caring what the
Pharisees thought of that new way of keeping the Sabbath.
And here is a bed of moss beside a dashing rivulet, inviting us to
rest and be thankful. Hark! There is a white-throated sparrow, on
a little tree across the river, whistling his afternoon song
"In linked sweetness long drawn out."
Down in Maine they call him the Peabody-bird, because his notes
sound to them like Old man--Peabody, peabody, peabody. In New
Brunswick the Scotch settlers say that he sings Lost--lost--
Kennedy, kennedy, kennedy. But here in his northern home I think
we can understand him better. He is singing again and again, with
|