| The first excerpt represents the past or something you must release, and is drawn from Philosophy 4 by Owen Wister: unaccustomed Bertie and Billy. Their jovial eyes had grown hollow
to-night, although their minds were going gallantly, as you have
probably noticed. Their criticisms, slangy and abrupt, struck the
scholastic Oscar as flippancies which he must indulge, since the pay was
handsome. That these idlers should jump in with doubts and questions
not contained in his sacred notes raised in him feelings betrayed just
once in that remark about "orriginal rresearch."
"Nine--ten--eleven--twelve," went the little timepiece; and Oscar rose.
"Gentlemen," he said, closing the sacred notes, "we have finished the
causal law."
"That's the whole business except the ego racket, isn't it?" said Billy.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from McTeague by Frank Norris: for the little dog hospital.
Old Grannis hurried to his room furtively, terrified
lest he should again be brought face to face with Miss
Baker. He bolted himself in and listened until he heard her
foot in the hall and the soft closing of her door. She was
there close beside him; as one might say, in the same room;
for he, too, had made the discovery as to the similarity of
the wallpaper. At long intervals he could hear a faint
rustling as she moved about. What an evening that had been
for him! He had met her, had spoken to her, had touched her
hand; he was in a tremor of excitement. In a like manner
 McTeague |
The third excerpt represents the future or something you must embrace, and is drawn from Hamlet by William Shakespeare: Of mine owne eyes
Mar. Is it not like the King?
Hor. As thou art to thy selfe,
Such was the very Armour he had on,
When th' Ambitious Norwey combatted:
So frown'd he once, when in an angry parle
He smot the sledded Pollax on the Ice.
'Tis strange
Mar. Thus twice before, and iust at this dead houre,
With Martiall stalke, hath he gone by our Watch
Hor. In what particular thought to work, I know not:
 Hamlet |