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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Camille by Alexandre Dumas:

her lover hurts me horribly."

"In the first place," replied Prudence; "is he still her lover? He is a man who is useful to her, nothing more. She has closed her doors to him for two days; he came this morning--she could not but accept the box and let him accompany her. He saw her home; he has gone in for a moment, he is not staying, because you are waiting here. All that, it seems to me, is quite natural. Besides, you don't mind the duke."

"Yes; but he is an old man, and I am sure that Marguerite is not his mistress. Then, it is all very well to accept one liaison, but not two. Such easiness in the matter is very like


Camille
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Somebody's Little Girl by Martha Young:

her blue checked apron, and looked at the children in their prettiest clothes, and at the babies, and at the parasols.

She loved so to look, and she loved so to listen to the pretty gay music that she did not notice that a lady had come to the stone bench, and had seated herself just where Sister Helen Vincula had sat before she went to see the ladies and to tell them Good-bye.

There were many other ladies on the Mall, and many ladies passed in their walk by the stone bench where Bessie Bell and the lady sat.

Everybody loved to come to the Mall in the afternoon when the band played. Everybody loved to hear the gay music. Everybody loved to see the children in their prettiest clothes, and to see all the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

once become enslaved to them. I have known people who were so exceedingly 'spiritual' and 'good' that one really felt quite depressed in their company; I have known others whose sense of duty, dear things, was so strong that they seemed quite unable to REST, or even to allow their friends to rest; and I have wondered whether, after all, worriting about one's duty might not be as bad--as deteriorating to oneself, as distressing to one's friends--as sinning a good solid sin. No, in this respect virtues MAY be no better than vices; and to be chained to a wheelbarrow made of alabaster is no way preferable to being chained to one of wood. To sacrifice the immortal freedom


Pagan and Christian Creeds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Heart of Darkness by Joseph Conrad:

When a truckle-bed with a sick man (some invalid agent from upcountry) was put in there, he exhibited a gentle annoyance. `The groans of this sick person,' he said, `distract my attention. And without that it is extremely difficult to guard against clerical errors in this climate.'

"One day he remarked, without lifting his head, `In the interior you will no doubt meet Mr. Kurtz.' On my asking who Mr. Kurtz was, he said he was a first-class agent; and seeing my disappointment at this information, he added slowly, laying down his pen, `He is a very remarkable person.' Further questions elicited from him that Mr. Kurtz was at


Heart of Darkness