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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adam Bede by George Eliot:

conscience after 'em. I've seen pretty clear, ever since I could cast up a sum, as you can never do what's wrong without breeding sin and trouble more than you can ever see. It's like a bit o' bad workmanship--you never see th' end o' the mischief it'll do. And it's a poor look-out to come into the world to make your fellow-creatures worse off instead o' better. But there's a difference between the things folks call wrong. I'm not for making a sin of every little fool's trick, or bit o' nonsense anybody may be let into, like some o' them dissenters. And a man may have two minds whether it isn't worthwhile to get a bruise or two for the sake of a bit o' fun. But it isn't my way to be see-


Adam Bede
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

enough, at the top of the stairs lay her husband, stone dead, and head foremost, the blood from his wounds dripping down to the steps below him. He had been dreadfully scratched and gashed about the face and throat, as if with a dull weapon; and one of his legs had a deep tear in it which had cut an artery, and probably caused his death. But how did he come there, and who had murdered him?

His wife declared that she had been asleep in her bed, and hearing his cry had rushed out to find him lying on the stairs; but this was immediately questioned. In the first place, it was proved that from her room she could not have heard the struggle

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

poured upon the heads of each successive generation. Whereas a noble family, inactive and forgotten, is very much in the position of a hard-featured, poverty-stricken, simple-minded, and virtuous maid, these qualifications being the four cardinal points of misfortune. The marriage of a daughter of the Troisvilles with General Montcornet, so far from opening the eyes of the Antiquities, very nearly brought about a rupture between the Troisvilles and the salon d'Esgrignon, the latter declaring that the Troisvilles were mixing themselves up with all sorts of people.

There was one, and one only, among all these folk who did not share their illusions. And that one, needless to say, was Chesnel the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Life in the Iron-Mills by Rebecca Davis:

through the Doctor's flurry, and generous heat, and self- approval, into his will, with those slow, absorbing eyes of his.

"Make yourself what you will. It is your right.

"I know," quietly. "Will you help me?"

Mitchell laughed again. The Doctor turned now, in a passion,--

"You know, Mitchell, I have not the means. You know, if I had, it is in my heart to take this boy and educate him for"--

"The glory of God, and the glory of John May."

May did not speak for a moment; then, controlled, he said,--

"Why should one be raised, when myriads are left?--I have not the money, boy," to Wolfe, shortly.


Life in the Iron-Mills