Today's Stichomancy for Wassily Kandinsky

If that from him there may be aught applied Which may her suffering ecstasy assuage, 'Tis promised in the charity of age.

'Father,' she says, 'though in me you behold The injury of many a blasting hour, Let it not tell your judgement I am old; Not age, but sorrow, over me hath power: I might as yet have been a spreading flower, Fresh to myself, if I had self-applied Love to myself, and to no love beside.

'But woe is me! too early I attended

you, at the end of the discourse, that I preserve my own opinion precisely the same as at the beginning - as would be the case, I am persuaded, with regard to either logician.'

'Yes, of course,' replied I, determined to be as provoking as herself; 'for when a lady does consent to listen to an argument against her own opinions, she is always predetermined to withstand it - to listen only with her bodily ears, keeping the mental organs resolutely closed against the strongest reasoning.'

'Good-morning, Mr. Markham,' said my fair antagonist, with a pitying smile; and deigning no further rejoinder, she slightly bowed, and was about to withdraw; but her son, with childish

The Tenant of Wildfell Hall

that to which I deny both plurality and unity? You, Theaetetus, have the might of youth, and I conjure you to exert yourself, and, if you can, to find an expression for not-being which does not imply being and number. 'But I cannot.' Then the Sophist must be left in his hole. We may call him an image-maker if we please, but he will only say, 'And pray, what is an image?' And we shall reply, 'A reflection in the water, or in a mirror'; and he will say, 'Let us shut our eyes and open our minds; what is the common notion of all images?' 'I should answer, Such another, made in the likeness of the true.' Real or not real? 'Not real; at least, not in a true sense.' And the real 'is,' and the not-real 'is not'? 'Yes.' Then a likeness is really unreal, and essentially not. Here is a pretty

as it was on a lower level than the garden.

On the first floor was Madame's bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window

A Simple Soul