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Today's Stichomancy for Werner Heisenberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from End of the Tether by Joseph Conrad:

the same places, back again to the Sofala's port of regis- try on the great highway to the East, where he would take up a berth nearly opposite the big stone pile of the harbor office till it was time to start again on the old round of 1600 miles and thirty days. Not a very enterprising life, this, for Captain Whalley, Henry Whalley, otherwise Dare-devil Harry--Whalley of the Condor, a famous clipper in her day. No. Not a very enterprising life for a man who had served famous firms, who had sailed famous ships (more than one or two of them his own); who had made famous passages, had


End of the Tether
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moll Flanders by Daniel Defoe:

and brought her over hither to his mother who was then living. He liver here several years with her,' continued she, 'and had several children by her, of which the young gentleman that was with him now was one; but after some time, the old gentlewoman, his mother, talking to her of something relating to herself when she was in England, and of her circumstances in England, which were bad enough, the daughter-in-law began to be very much surprised and uneasy; and, in short, examining further into things, it appeared past all contradiction that the old gentlewoman was her own mother, and that consequently that son was his wife's own brother, which struck the whole family


Moll Flanders
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ancient Regime by Charles Kingsley:

Bastile by a lettre de cachet; yet Figaro may have known and seen enough to excuse him, when lettres de cachet were abolished, for handing the Marquis over to a Comite de Salut Public. Disappointed play-actors, like Collet d'Herbois; disappointed poets, like Fabre d'Olivet, were, they say, especially ferocious. Why not? Ingenious, sensitive spirits, used as lap-dogs and singing-birds by men and women whom they felt to be their own flesh and blood, they had, it may be, a juster appreciation of the actual worth of their patrons than had our own Pitt and Burke. They had played the valet: and no man was a hero to them. They had seen the nobleman expose himself before his own helots: they would try if the helot was not

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Enemies of Books by William Blades:

He at once offered 14,000 francs for them, which was accepted. Imagine the surprise and chagrin of the poor monks when they heard of it! They knew they had no remedy, and so dumbfounded were they by their own ignorance, that they humbly requested M. Vanderberg to relieve their minds by returning some portion of his large gains. He gave them 1,200 francs.

The great Shakespearian and other discoveries, which were found in a garret at Lamport Hall in 1867 by Mr. Edmonds, are too well-known and too recent to need description. In this case mere chance seems to have led to the preservation of works, the very existence of which set the ears of all lovers