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Today's Stichomancy for Wes Craven

The first excerpt represents the past or something you must release, and is drawn from The Ball at Sceaux by Honore de Balzac:

Monsieur Longueville made his visit neither too long nor too short. He left at the moment when he saw that he had pleased everybody, and that each one's curiosity about him had been roused.

"He is a cunning rascal!" said the Count, coming into the drawing-room after seeing him to the door.

Mademoiselle de Fontaine, who had been in the secret of this call, had dressed with some care to attract the young man's eye; but she had the little disappointment of finding that he did not bestow on her so much attention as she thought she deserved. The family were a good deal surprised at the silence into which she had retired. Emilie generally displayed all her arts for the benefit of newcomers, her witty

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

natural indignation; then, dashing the bottle violently upon the polished floor, he fled down the corridor, uttering hollow groans, and emitting a ghastly green light. Just, however, as he reached the top of the great oak staircase, a door was flung open, two little white-robed figures appeared, and a large pillow whizzed past his head! There was evidently no time to be lost, so, hastily adopting the Fourth Dimension of Space as a means of escape, he vanished through the wainscoting, and the house became quite quiet.

On reaching a small secret chamber in the left wing, he leaned up against a moonbeam to recover his breath, and began to try and realise his position. Never, in a brilliant and uninterrupted

The third excerpt represents the future or something you must embrace, and is drawn from Prufrock/Other Observations by T. S. Eliot:

And I must borrow every changing find expression ... dance, dance Like a dancing bear, Cry like a parrot, chatter like an ape. Let us take the air, in a tobacco trance--

Well! and what if she should die some afternoon, Afternoon grey and smoky, evening yellow and rose; Should die and leave me sitting pen in hand With the smoke coming down above the housetops; Doubtful, for quite a while Not knowing what to feel or if I understand


Prufrock/Other Observations