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Today's Stichomancy for Wes Craven

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Polly of the Circus by Margaret Mayo:

admiringly. "Ain't dat beautiful!" She drew near the mirror, attempting to see the reflection of the tinsel and chiffon against her very ample background of gingham and avoirdupois. "You'd sure be a swell nigger wid dat on, Honey," she chuckled to herself. "Wouldn't dem deacons holler if dey done see dat?"

The picture of the deacons' astonishment at such a spectacle so grew upon Mandy, that she was obliged to cover her generous mouth to shut in her convulsive laughter, lest it awaken the little girl in the bed. She crossed to the old-fashioned bureau which for many months had stood unused against the wall. The drawer creaked as she opened it to lay away the gay, spangled gown.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from New Poems by Robert Louis Stevenson:

WHAT man may learn, what man may do, Of right or wrong of false or true, While, skipper-like, his course he steers Through nine and twenty mingled years, Half misconceived and half forgot, So much I know and practise not.

Old are the words of wisdom, old The counsels of the wise and bold: To close the ears, to check the tongue, To keep the pining spirit young; To act the right, to say the true,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Start in Life by Honore de Balzac:

He cast a glance of examination on Oscar and his mother, but did not recognize them.

Oscar's skin was now bronzed by the sun of Africa; his moustache was very thick and his whiskers ample; the hollows in his cheeks and his strongly marked features were in keeping with his military bearing. The rosette of an officer of the Legion of honor, his missing arm, the strict propriety of his dress, would all have diverted Georges recollections of his former victim if he had had any. As for Madame Clapart, whom Georges had scarcely seen, ten years devoted to the exercise of the most severe piety had transformed her. No one would ever have imagined that that gray sister concealed the Aspasia of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fairy Tales by Hans Christian Andersen:

steps, into the street, and out of the city gate. She danced, and was forced to dance straight out into the gloomy wood.

Then it was suddenly light up among the trees, and she fancied it must be the moon, for there was a face; but it was the old soldier with the red beard; he sat there, nodded his head, and said, "Look, what beautiful dancing shoes!"

Then she was terrified, and wanted to fling off the red shoes, but they clung fast; and she pulled down her stockings, but the shoes seemed to have grown to her feet. And she danced, and must dance, over fields and meadows, in rain and sunshine, by night and day; but at night it was the most fearful.

She danced over the churchyard, but the dead did not dance--they had something better to do than to dance. She wished to seat herself on a poor


Fairy Tales