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Today's Stichomancy for Wes Craven

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Hated Son by Honore de Balzac:

having thrown his dagger to the winds. The memory of the little schemes employed to deceive her mother, whose severity seemed great, brought back to her the soulful joys of that innocent and mutual and sanctioned love; sometimes a rendezvous beneath the linden, where speech could be freer than before witnesses; sometimes a furtive clasp, or a stolen kiss,--in short, all the naive instalments of a passion that did not pass the bounds of modesty. Reliving in her vision those delightful days when she seemed to have too much happiness, she fancied that she kissed, in the void, that fine young face with the glowing eyes, that rosy mouth that spoke so well of love. Yes, she had loved Chaverny, poor apparently; but what treasures

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jane Eyre by Charlotte Bronte:

measured by the clock, which at last struck twelve. The superintendent rose -

"I have a word to address to the pupils," said she.

The tumult of cessation from lessons was already breaking forth, but it sank at her voice. She went on -

"You had this morning a breakfast which you could not eat; you must be hungry:--I have ordered that a lunch of bread and cheese shall be served to all."

The teachers looked at her with a sort of surprise.

"It is to be done on my responsibility," she added, in an explanatory tone to them, and immediately afterwards left the room.


Jane Eyre
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Monster Men by Edgar Rice Burroughs:

Then Sing turned his attention to Bulan and his three savage assailants, but, except for the dead body of a bull ourang outang upon the spot where he had last seen the four struggling, there was no sign either of the white man or his antagonists; nor, though he listened attentively, could he catch the slightest sound within the jungle other than the rustling of the leaves and the raucous cries of the brilliant birds that flitted among the gorgeous blooms about him.

For half an hour he searched in every direction, but finally, fearing that he might become lost in the mazes of the unfamiliar


The Monster Men
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

it is in the world of Art! On a shelf of the bookcase behind you stands the DIVINE COMEDY, and I know that, if I open it at a certain place, I shall be filled with a fierce hatred of some one who has never wronged me, or stirred by a great love for some one whom I shall never see. There is no mood or passion that Art cannot give us, and those of us who have discovered her secret can settle beforehand what our experiences are going to be. We can choose our day and select our hour. We can say to ourselves, 'To- morrow, at dawn, we shall walk with grave Virgil through the valley of the shadow of death,' and lo! the dawn finds us in the obscure wood, and the Mantuan stands by our side. We pass through the gate