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Today's Stichomancy for Wes Craven

The first excerpt represents the past or something you must release, and is drawn from Modeste Mignon by Honore de Balzac:

Lord Byron, nor Goethe, nor Walter Scott, nor Cuvier, nor any inventor, belongs to himself, he is the slave of his idea. And this mysterious power is more jealous than a woman; it sucks their blood, it makes them live, it makes them die for its sake. The visible developments of their hidden existence do seem, in their results, like egotism; but who shall dare to say that the man who has abnegated self to give pleasure, instruction, or grandeur to his epoch, is an egoist? Is a mother selfish when she immolates all things to her child? Well, the detractors of genius do not perceive its fecund maternity, that is all. The life of a poet is so perpetual a sacrifice that he needs a gigantic organization to


Modeste Mignon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

began to knit again.

The visible tribute of his careful housekeeping, and the clean bright room which had once enshrined his wife, and now enshrined her memory, was very moving to me; he had no thought for any one else or for any other place. I began to see her myself in her home,--a delicate-looking, faded little woman, who leaned upon his rough strength and affectionate heart, who was always watching for his boat out of this very window, and who always opened the door and welcomed him when he came home.

"I used to laugh at her, poor dear," said Elijah, as if he read my thought. "I used to make light of her timid notions. She

The third excerpt represents the future or something you must embrace, and is drawn from The Call of the Canyon by Zane Grey:

then, as Hutter says, I'll be "Jake."

My occupation during these leisure hours perhaps would strike my old friends East as idle, silly, mawkish. But I believe you will understand me.

I have the pleasure of doing nothing, and of catching now and then a glimpse of supreme joy in the strange state of thinking nothing. Tennyson came close to this in his "Lotus Eaters." Only to see--only to feel is enough!

Sprawled on the warm sweet pine needles, I breathe through them the breath of the earth and am somehow no longer lonely. I cannot, of course, see the sunset, but I watch for its coming on the eastern wall of the canyon. I see the shadow slowly creep up, driving the gold before it, until at last the


The Call of the Canyon