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Today's Stichomancy for Wes Craven

The first excerpt represents the past or something you must release, and is drawn from Anthem by Ayn Rand:

till it raised a wind to rustle through the leaves of the bushes. Then our hands seized a branch and swung us high into a tree, with no aim save the wonder of learning the strength of our body. The branch snapped under us and we fell upon the moss that was soft as a cushion. Then our body, losing all sense, rolled over and over on the moss, dry leaves in our tunic, in our hair, in our face. And we heard suddenly that we were laughing, laughing aloud, laughing


Anthem
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Glimpses of the Moon by Edith Wharton:

other images of clay, but imitating their gestures, chattering their jargon, winding her hand among the same pearls and sables. He struck away across the Seine, along the quays to the Cite, the net-work of old Paris, the great grey vaults of St. Eustache, the swarming streets of the Marais. He gazed at monuments dawdled before shop-windows, sat in squares and on quays, watching people bargain, argue, philander, quarrel, work- girls stroll past in linked bands, beggars whine on the bridges, derelicts doze in the pale winter sun, mothers in mourning hasten by taking children to school, and street-walkers beat their weary rounds before the cafes.

The third excerpt represents the future or something you must embrace, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

money, the position, L a d y C r o f t s, and so on. But I think I will say no, if you dont mind, I'd rather not. [She rises, and strolls across to the sundial to get out of his immediate neighborhood].

CROFTS [not at all discouraged, and taking advantage of the additional room left him on the seat to spread himself comfortably, as if a few preliminary refusals were part of the inevitable routine of courtship] I'm in no hurry. It was only just to let you know in case young Gardner should try to trap you. Leave the question open.

VIVIE [sharply] My no is final. I wont go back from it.