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Today's Stichomancy for Wes Craven

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Protagoras by Plato:

one another flute-playing, do you imagine, Socrates, that the sons of good flute-players would be more likely to be good than the sons of bad ones? I think not. Would not their sons grow up to be distinguished or undistinguished according to their own natural capacities as flute-players, and the son of a good player would often turn out to be a bad one, and the son of a bad player to be a good one, all flute-players would be good enough in comparison of those who were ignorant and unacquainted with the art of flute-playing? In like manner I would have you consider that he who appears to you to be the worst of those who have been brought up in laws and humanities, would appear to be a just man and a master of justice if he were to be compared with men who had no education, or courts of justice, or

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

me like those wounds of angels which Milton tells of, but the seam still shining for many a long rood behind me. To lie still over the Flats, where the waters are shallow, and see the crabs crawling and the sculpins gliding busily and silently beneath the boat, - to rustle in through the long harsh grass that leads up some tranquil creek, - to take shelter from the sunbeams under one of the thousand-footed bridges, and look down its interminable colonnades, crusted with green and oozy growths, studded with minute barnacles, and belted with rings of dark muscles, while overhead streams and thunders that other river whose every wave is a human soul flowing to eternity as the river below flows to the ocean, - lying there


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from St. Ives by Robert Louis Stevenson:

incoherent benignity; jostled me among them into the room where they had been sitting, a plain hedgerow alehouse parlour, with a roaring fire in the chimney and a prodigious number of empty bottles on the floor; and informed me that I was made, by this reception, a temporary member of the SIX-FEET-HIGH CLUB, an athletic society of young men in a good station, who made of the Hunters' Tryst a frequent resort. They told me I had intruded on an 'all-night sitting,' following upon an 'all-day Saturday tramp' of forty miles; and that the members would all be up and 'as right as ninepence' for the noonday service at some neighbouring church - Collingwood, if memory serves me right. At this I could have

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lysis by Plato:

of the physician--is he not?

Yes.

And he is the friend of the physician because of disease, and for the sake of health?

Yes.

And disease is an evil?

Certainly.

And what of health? I said. Is that good or evil, or neither?

Good, he replied.

And we were saying, I believe, that the body being neither good nor evil, because of disease, that is to say because of evil, is the friend of


Lysis