| The first excerpt represents the past or something you must release, and is drawn from Anthem by Ayn Rand: till it raised a wind to rustle through the
leaves of the bushes. Then our hands
seized a branch and swung us high into a
tree, with no aim save the wonder of learning
the strength of our body. The branch
snapped under us and we fell upon the moss
that was soft as a cushion. Then our body,
losing all sense, rolled over and over on the
moss, dry leaves in our tunic, in our hair,
in our face. And we heard suddenly that
we were laughing, laughing aloud, laughing
 Anthem |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Glimpses of the Moon by Edith Wharton: other images of clay, but imitating their gestures, chattering
their jargon, winding her hand among the same pearls and sables.
He struck away across the Seine, along the quays to the Cite,
the net-work of old Paris, the great grey vaults of St.
Eustache, the swarming streets of the Marais. He gazed at
monuments dawdled before shop-windows, sat in squares and on
quays, watching people bargain, argue, philander, quarrel, work-
girls stroll past in linked bands, beggars whine on the bridges,
derelicts doze in the pale winter sun, mothers in mourning
hasten by taking children to school, and street-walkers beat
their weary rounds before the cafes.
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The third excerpt represents the future or something you must embrace, and is drawn from Mrs. Warren's Profession by George Bernard Shaw: money, the position, L a d y C r o f t s, and so on. But I
think I will say no, if you dont mind, I'd rather not. [She
rises, and strolls across to the sundial to get out of his
immediate neighborhood].
CROFTS [not at all discouraged, and taking advantage of the
additional room left him on the seat to spread himself
comfortably, as if a few preliminary refusals were part of the
inevitable routine of courtship] I'm in no hurry. It was only
just to let you know in case young Gardner should try to trap
you. Leave the question open.
VIVIE [sharply] My no is final. I wont go back from it.
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