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Today's Stichomancy for Wes Craven

The first excerpt represents the past or something you must release, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

apoplexy on his way to Parliament; and the great man's still greater London doctor had been telegraphed to his bedside. It was the first time that such a thing had happened in Debenham, for the railway was but newly open, and we were all proportionately moved by the occurrence.

'He's come,' said the landlord, after he had filled and lighted his pipe.

'He?' said I. 'Who? - not the doctor?'

'Himself,' replied our host.

'What is his name?'

'Doctor Macfarlane,' said the landlord.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Westward Ho! by Charles Kingsley:

produced the foul novels of Cinthio and Bandello, and compelled Rabelais in order to escape the rack and stake, to hide the light of his great wisdom, not beneath a bushel, but beneath a dunghill; the age in which the Romish Church had made marriage a legalized tyranny, and the laity, by a natural and pardonable revulsion, had exalted adultery into a virtue and a science? That all love was lust; that all women had their price; that profligacy, though an ecclesiastical sin, was so pardonable, if not necessary, as to be hardly a moral sin, were notions which Eustace must needs have gathered from the hints of his preceptors; for their written works bear to this day fullest and foulest testimony that such was their

The third excerpt represents the future or something you must embrace, and is drawn from Christ in Flanders by Honore de Balzac:

As soon as the man appeared on the jetty to which the boat was moored, seven persons who were standing in the stern of the shallop hastened to sit down on the benches, so as to leave no room for the newcomer. It was the swift and instinctive working of the aristocratic spirit, an impulse of exclusiveness that comes from the rich man's heart. Four of the seven personages belonged to the most aristocratic families in Flanders. First among them was a young knight with two beautiful greyhounds; his long hair flowed from beneath a jeweled cap; he clanked his gilded spurs, curled the ends of his moustache from time to time with a swaggering grace, and looked round disdainfully on the rest of the crew. A high-born damsel, with a falcon on her wrist, only