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Today's Stichomancy for Wes Craven

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Last War: A World Set Free by H. G. Wells:

age was over he had become a political animal. He made astonishingly far-reaching discoveries within himself, first of counting and then of writing and making records, and with that his town communities began to stretch out to dominion; in the valleys of the Nile, the Euphrates, and the great Chinese rivers, the first empires and the first written laws had their beginnings. Men specialised for fighting and rule as soldiers and knights. Later, as ships grew seaworthy, the Mediterranean which had been a barrier became a highway, and at last out of a tangle of pirate polities came the great struggle of Carthage and Rome. The history of Europe is the history of the victory and breaking


The Last War: A World Set Free
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sons and Lovers by D. H. Lawrence:

watching the light from his lamp race into obscurity along the ground. She turned very slowly indoors. Orion was wheeling up over the wood, his dog twinkling after him, half smothered. For the rest the world was full of darkness, and silent, save for the breathing of cattle in their stalls. She prayed earnestly for his safety that night. When he left her, she often lay in anxiety, wondering if he had got home safely.

He dropped down the hills on his bicycle. The roads were greasy, so he had to let it go. He felt a pleasure as the machine plunged over the second, steeper drop in the hill. "Here goes!" he said. It was risky, because of the curve in the darkness at the bottom,


Sons and Lovers
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Commission in Lunacy by Honore de Balzac:

days M. d'Espard does me the favor of dining here with them."

"It is very singular behaviour," said the judge, with an air of conviction. "Have you ever seen this Dame Jeanrenaud?"

"My brother-in-law one day, out of interest in his brother----"

"Ah! monsieur is M. d'Espard's brother?" said the lawyer, interrupting her.

The Chevalier bowed, but did not speak.

"M. d'Espard, who has watched this affair, took me to the Oratoire, where this woman goes to sermon, for she is a Protestant. I saw her; she is not in the least attractive; she looks like a butcher's wife, extremely fat, horribly marked with the smallpox; she has feet and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Heart of Darkness by Joseph Conrad:

noticed my companion, and became crestfallen all at once. `Not in bed yet,' he said, with a kind of servile heartiness; `it's so natural. Ha! Danger--agitation.' He vanished. I went on to the riverside, and the other followed me. I heard a scathing murmur at my ear, `Heap of muffs--go to.' The pilgrims could be seen in knots gesticulating, discussing. Several had still their staves in their hands. I verily believe they took these sticks to bed with them. Beyond the fence the forest stood up spectrally in the moonlight, and through that dim stir, through the faint sounds of that lamentable courtyard, the silence of the land went home to one's very heart--its mystery,


Heart of Darkness