| The first excerpt represents the past or something you must release, and is drawn from The Redheaded Outfield by Zane Grey: back before Daddy could be sure of that point.
``You don't have to fan about it. I know a ball
when I see one,'' observed Daddy. ``But we're
on our own grounds an' we'll use our own ball.
Thanks all the same to you, Stranathan.''
``Huh! All I gotta say is we'll play with my
ball er there won't be no game,'' said Bo suddenly.
Daddy shrewdly eyed the Natchez captain. Bo
did not look like a fellow wearing himself thin
from generosity. It struck Daddy that Bo's habit
of supplying the ball for the game might have
 The Redheaded Outfield |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Contrast by Royall Tyler: When each refinement may be found at home?
Who travels now to ape the rich or great,
To deck an equipage and roll in state;
To court the graces, or to dance with ease,
Or by hypocrisy to strive to please?
Our free-born ancestors such arts despis'd;
Genuine sincerity alone they pris'd;
Their minds, with honest emulation fir'd;
To solid good--not ornament--aspir'd;
Or, if ambition rous'd a bolder flame,
Stern virtue throve, where indolence was shame.
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The third excerpt represents the future or something you must embrace, and is drawn from In Darkest England and The Way Out by General William Booth: day, in a pest-hole, in order to earn ten shillings a week?
There is no discipline so brutal as that of the sweater; there is no
slavery so relentless as that from which we seek to deliver the
victims. Compared with their normal condition of existence, the most
rigorous discipline which would be needed to secure the complete
success of any new individual organisation would be an escape from
slavery into freedom.
You may reply, "that it might be so, if people understood their own
interest. But as a matter of fact they do not understand it, and that
they will never have sufficient far-sightedness to appreciate the
advantages that are offered them."
 In Darkest England and The Way Out |