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Today's Stichomancy for Will Wright

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Apology by Plato:

which you will get from the detractors of the city, who will say that you killed Socrates, a wise man; for they will call me wise, even although I am not wise, when they want to reproach you. If you had waited a little while, your desire would have been fulfilled in the course of nature. For I am far advanced in years, as you may perceive, and not far from death. I am speaking now not to all of you, but only to those who have condemned me to death. And I have another thing to say to them: you think that I was convicted because I had no words of the sort which would have procured my acquittal--I mean, if I had thought fit to leave nothing undone or unsaid. Not so; the deficiency which led to my conviction was not of words-- certainly not. But I had not the boldness or impudence or inclination to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

season, or year, a severe struggle for life, and this certainly cannot be disputed; then, considering the infinite complexity of the relations of all organic beings to each other and to their conditions of existence, causing an infinite diversity in structure, constitution, and habits, to be advantageous to them, I think it would be a most extraordinary fact if no variation ever had occurred useful to each being's own welfare, in the same way as so many variations have occurred useful to man. But if variations useful to any organic being do occur, assuredly individuals thus characterised will have the best chance of being preserved in the struggle for life; and from the strong principle of inheritance they will tend to produce offspring similarly characterised. This principle of preservation,


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Golden Threshold by Sarojini Naidu:

In that magical wood in the land of sleep.

HUMAYUN TO ZOBEIDA

(From the Urdu)

You flaunt your beauty in the rose, your glory in the dawn, Your sweetness in the nightingale, your whiteness in the swan.

You haunt my waking like a dream, my slumber like a moon, Pervade me like a musky scent, possess me like a tune.

Yet, when I crave of you, my sweet, one tender moment's grace, You cry, "I SIT BEHIND THE VEIL, I CANNOT SHOW MY FACE."

Shall any foolish veil divide my longing from my bliss? Shall any fragile curtain hide your beauty from my kiss?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad:

certainly I was haunted by her but so was her sister Therese - who was crazy. It proved nothing. As to her tears, since I had not caused them, they only aroused my indignation. To put her head on my shoulder, to weep these strange tears, was nothing short of an outrageous liberty. It was a mere emotional trick. She would have just as soon leaned her head against the over-mantel of one of those tall, red granite chimney-pieces in order to weep comfortably. And then when she had no longer any need of support she dispensed with it by simply telling me to go away. How convenient! The request had sounded pathetic, almost sacredly so, but then it might have been the exhibition of the coolest possible


The Arrow of Gold