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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Republic by Plato:

all things to train the reasoning faculties; to implant in the mind the spirit and power of abstraction; to explain and define general notions, and, if possible, to connect them. No wonder that in the vacancy of actual knowledge his followers, and at times even he himself, should have fallen away from the doctrine of ideas, and have returned to that branch of knowledge in which alone the relation of the one and many can be truly seen--the science of number. In his views both of teaching and training he might be styled, in modern language, a doctrinaire; after the Spartan fashion he would have his citizens cast in one mould; he does not seem to consider that some degree of freedom, 'a little wholesome neglect,' is necessary to strengthen and develope the character and to give play to the


The Republic
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mysterious Affair at Styles by Agatha Christie:

"And the second suggestion? That Mrs. Inglethorp may have inadvertently taken an overdose?"

"Three, or even four doses, would not have resulted in death. Mrs. Inglethorp always had an extra large amount of medicine made up at a time, as she dealt with Coot's, the Cash Chemists in Tadminster. She would have had to take very nearly the whole bottle to account for the amount of strychnine found at the post-mortem."

"Then you consider that we may dismiss the tonic as not being in any way instrumental in causing her death?"

"Certainly. The supposition is ridiculous."


The Mysterious Affair at Styles
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Travel by Robert Louis Stevenson:

journey. A few hundred yards farther, and, passing through a gap in the hedge, I began to go down hill through a pretty extensive tract of young beeches. I was soon in shadow myself, but the afternoon sun still coloured the upmost boughs of the wood, and made a fire over my head in the autumnal foliage. A little faint vapour lay among the slim tree-stems in the bottom of the hollow; and from farther up I heard from time to time an outburst of gross laughter, as though clowns were making merry in the bush. There was something about the atmosphere that brought all sights and sounds home to one with a singular purity, so that I felt as if my senses had been washed with water. After I had crossed the little zone of mist, the path began

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from McTeague by Frank Norris:

the whole thirty-five. I'd rather lose it than be such a miser as you."

"Haven't you got anything to do," returned Trina, "instead of staying here and abusing me?"

"Well, then, for the last time, will you help me out?" Trina cut the heads of a fresh bunch of onions and gave no answer.

"Huh? will you?"

"I'd like to have my kitchen to myself, please," she said in a mincing way, irritating to a last degree. The dentist stamped out of the room, banging the door behind


McTeague