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Today's Stichomancy for William Gibson

The first excerpt represents the past or something you must release, and is drawn from McTeague by Frank Norris:

implied red velvet carpets and continued feasting. The old- time miner's idea of wealth easily gained and quickly spent persisted in his mind. But when Trina had begun to talk of investments and interests and per cents, he was troubled and not a little disappointed. The lump sum of five thousand dollars was one thing, a miserable little twenty or twenty-five a month was quite another; and then someone else had the money.

"But don't you see, Mac," explained Trina, "it's ours just the same. We could get it back whenever we wanted it; and then it's the reasonable way to do. We mustn't let it turn


McTeague
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Odyssey by Homer:

down to the house of Hades.

'Then I spake among my men as they went on their way, saying: "Ye deem now, I see, that ye are going to your own dear country; but Circe hath showed us another way, even to the dwelling of Hades and of dread Persephone, to seek to the spirit of Theban Teiresias."

'Even so I spake, but their heart within them was broken, and they sat them down even where they were, and made lament and tore their hair. Howbeit no help came of their weeping.

'But as we were now wending sorrowful to the swift ship and


The Odyssey
The third excerpt represents the future or something you must embrace, and is drawn from Anna Karenina by Leo Tolstoy:

"Yes, perhaps, if it happens so."

"I never liked him. But this atones for a great deal. He's not merely going himself, he's taking a squadron at his own expense."

"Yes, so I heard."

A bell sounded. Every one crowded to the doors."Here he is!" said the princess, indicating Vronsky, who with his mother on his arm walked by, wearing a long overcoat and wide-brimmed black hat. Oblonsky was walking beside him, talking eagerly of something.

Vronsky was frowning and looking straight before him, as though he did not hear what Stepan Arkadyevitch was saying.

Probably on Oblonsky's pointing them out, he looked round in the


Anna Karenina