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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maid Marian by Thomas Love Peacock:

I am no longer lady Matilda Fitzwater, of Arlingford Castle, but plain Maid Marian, of Sherwood Forest."

"Long live Maid Marian!" re-echoed the foresters.

"Oh false girl!" said the baron, "do you renounce your name and parentage?"

"Not my parentage," said Marian, "but my name indeed: do not all maids renounce it at the altar?"

"The altar!" said the baron: "grant me patience! what do you mean by the altar?"

"Pile green turf," said the friar, "wreathe it with flowers, and crown it with fruit, and we will show the noble baron what we mean by the altar."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life of the Spider by J. Henri Fabre:

relics of what was once the highest expression of living things, at the time when the solid land was taking shape from the oceanic ooze. Cut and polished length-wise, the fossil shows a magnificent logarithmic spiral, the general pattern of the dwelling which was a pearl palace, with numerous chambers traversed by a siphuncular corridor.

To this day, the last representative of the Cephalopoda with partitioned shells, the Nautilus of the Southern Seas, remains faithful to the ancient design; it has not improved upon its distant predecessors. It has altered the position of the siphuncle, has placed it in the centre instead of leaving it on the


The Life of the Spider
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

Daisy tumbled short of his dreams--not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.

As I watched him he adjusted himself a little, visibly. His hand took hold of hers, and as she said something low in his ear he turned toward her with a rush of emotion. I think that voice held him most, with its fluctuating, feverish warmth, because it couldn't be over-dreamed--that voice was a deathless song.


The Great Gatsby
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

"If you have ever thought of me, aunt, as an individual, you must have seen that I am not averse to ashes."

He held my hand a moment, and then kissed me with a kiss of appropriation.

"He is in love with you," she said, after he had gone. "I think I know him. He has found beauty ignorant of itself; he will teach you to develop it."

The next morning Mr. Uxbridge had an interview with Aunt Eliza before he saw me.

When we were alone I asked him how her eccentricities affected him; he could not but consider her violent, prejudiced, warped, and