| The first excerpt represents the past or something you must release, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri: Within the amplitude of this domain
No casual point can possibly find place,
No more than sadness can, or thirst, or hunger;
For by eternal law has been established
Whatever thou beholdest, so that closely
The ring is fitted to the finger here.
And therefore are these people, festinate
Unto true life, not 'sine causa' here
More and less excellent among themselves.
The King, by means of whom this realm reposes
In so great love and in so great delight
The Divine Comedy (translated by Henry Wadsworth Longfellow) |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Anabasis by Xenophon: return of the Greeks, in which Xenophon played a
leading role. This occurred between 401 B.C. and
March 399 B.C.
PREPARER'S NOTE
This was typed from Dakyns' series, "The Works of Xenophon," a
four-volume set. The complete list of Xenophon's works (though
there is doubt about some of these) is:
Work Number of books
The Anabasis 7
The Hellenica 7
The Cyropaedia 8
Anabasis |
The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato: Hesiod and Archilochus;--he brightens up and is wide awake when Homer is
being recited, but is apt to go to sleep at the recitations of any other
poet. 'And yet, surely, he who knows the superior ought to know the
inferior also;--he who can judge of the good speaker is able to judge of
the bad. And poetry is a whole; and he who judges of poetry by rules of
art ought to be able to judge of all poetry.' This is confirmed by the
analogy of sculpture, painting, flute-playing, and the other arts. The
argument is at last brought home to the mind of Ion, who asks how this
contradiction is to be solved. The solution given by Socrates is as
follows:--
The rhapsode is not guided by rules of art, but is an inspired person who
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