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Today's Stichomancy for William Randolph Hearst

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wife, et al by Anton Chekhov:

had known I should come.

"I beg your pardon," I said softly. "I am so glad you have not gone yet, Ivan Ivanitch. I forgot to ask you, do you know the Christian name of the president of our Zemstvo?"

"Andrey Stanislavovitch. Yes. . . ."

"_Merci_," I said, took out my notebook, and wrote it down.

There followed a silence during which my wife and Ivan Ivanitch were probably waiting for me to go; my wife did not believe that I wanted to know the president's name -- I saw that from her eyes.

"Well, I must be going, my beauty," muttered Ivan Ivanitch, after

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gambara by Honore de Balzac:

whether I or my wife has stood over the fire. And what is the consequence? Of sixty-odd customers whom I used to see at my table every day when I first started in this wretched place, I now see twenty on an average, and give them credit for the most part. The Piedmontese, the Savoyards, have deserted, but the connoisseurs, the true Italians, remain. And there is no sacrifice that I would not make for them. I often give them a dinner for five and twenty sous which has cost me double."

Signore Giardini's speech had such a full flavor of Neapolitan cunning that the Count was delighted, and could have fancied himself at Gerolamo's.


Gambara
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Touchstone by Edith Wharton:

developed in him the subtler perceptions which could detect it in even this poor semblance of herself. For a moment he found consolation in the thought that, at any cost, they had thus been brought together; then a flood of shame rushed over him. Face to face with her, he felt himself laid bare to the inmost fold of consciousness. The shame was deep, but it was a renovating anguish; he was like a man whom intolerable pain has roused from the creeping lethargy of death. . . .

He rose next morning to as fresh a sense of life as though his hour of mute communion with Margaret Aubyn had been a more exquisite renewal of their earlier meetings. His waking thought

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Don Quixote by Miquel de Cervantes:

she then did, that stirred by a wrong so glaring I may seek, if not vengeance now, at least to rid myself of life? Be not weary, sirs, of listening to these digressions; my sorrow is not one of those that can or should be told tersely and briefly, for to me each incident seems to call for many words."

To this the curate replied that not only were they not weary of listening to him, but that the details he mentioned interested them greatly, being of a kind by no means to be omitted and deserving of the same attention as the main story.

"To proceed, then," continued Cardenio: "all being assembled in the hall, the priest of the parish came in and as he took the pair


Don Quixote