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Today's Stichomancy for William Randolph Hearst

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from At the Earth's Core by Edgar Rice Burroughs:

equaled the instinct of self-preservation in primeval man, drew me to the girl's side like an irresistible magnet.

Almost thoughtless of the consequences, I leaped from the end of the ledge upon which I stood, for the tiny shelf twenty feet below. At the same instant the dragon darted in toward the girl, but my sudden advent upon the scene must have startled him for he veered to one side, and then rose above us once more.

The noise I made as I landed beside her convinced the girl that the end had come, for she thought I was the dragon; but finally when no cruel fangs closed upon her she


At the Earth's Core
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Voice of the City by O. Henry:

the sense of feeling only, regardless of its parentage and ownership. 'Tis hard to keep up the social dis- tinctions in the dark that flourish by daylight in the Beersheba Flats. Mrs. Rafferty, that despises the asphalt that a Dago treads on, wakes up in the morn- ing with her feet in the bosom of Antonio Spizzinelli. And Mike O'Dowd, that always threw peddlers down- stairs as fast as he came upon 'em, has to unwind old Isaacstein's whiskers from around his neck, and wake up the whole gang at daylight. But here and there some few got acquainted and overlooked the discom-


The Voice of the City
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac:

in the Rue Corneille in a house where none but students came to lodge, one of those large houses where there is a winding staircase quite at the back lighted below from the street, higher up by borrowed lights, and at the top by a skylight. There were forty furnished rooms-- furnished as students' rooms are! What does youth demand more than was here supplied? A bed, a few chairs, a chest of drawers, a looking- glass, and a table. As soon as the sky is blue the student opens his window.

But in this street there are no fair neighbors to flirt with. In front is the Odeon, long since closed, presenting a wall that is beginning to go black, its tiny gallery windows and its vast expanse of slate

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Touchstone by Edith Wharton:

pasturing his vanity on the eagerness with which she received his reminiscences of a being already clothed in the impersonality of greatness.

The incident had left no trace in his mind; but it sprang up now like an old enemy, the more dangerous for having been forgotten. The instinct of self-preservation--sometimes the most perilous that man can exercise--made him awkwardly declare--"Oh, I used to see her at people's houses, that was all;" and her silence as usual leaving room for a multiplication of blunders, he added, with increased indifference, "I simply can't see what you can find to interest you in such a book."