| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon: enraging a spirited horse by not annoying him. Thus, from the first
instant, in the act of mounting him, you should take pains to minimise
the annoyance; and once on his back you should sit quiet for longer
than the ordinary time, and so urge him forward by the gentlest signs
possible; next, beginning at the slowest pace, gradually work him into
a quicker step, but so gradually that he will find himself at full
speed without noticing it.[1] Any sudden signal will bewilder a
spirited horse, just as a man is bewildered by any sudden sight or
sound or other experience. [I say one should be aware that any
unexpected shock will produce disturbance in a horse.][2]
[1] Or, "so that the horse may insensibly fall into a gallop."
 On Horsemanship |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Vendetta by Honore de Balzac: had carefully hidden it from a feeling of pride.
Luigi had cast his gold upon the floor and was kneeling by the bed on
which lay his wife.
"Father! take care of my son, who bears your name," she was saying in
her delirium.
"Oh, my angel! be calm," said Luigi, kissing her; "our good days are
coming back to us."
"My Luigi," she said, looking at him with extraordinary attention,
"listen to me. I feel that I am dying. My death is natural; I suffered
too much; besides, a happiness so great as mine has to be paid for.
Yes, my Luigi, be comforted. I have been so happy that if I were to
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