The first excerpt represents the past or something you must release, and is drawn from The Chouans by Honore de Balzac: To seek the marquis, follow his steps and overtake him, was a thought
that flashed like lightning through her mind. "I have no weapon!" she
cried. She remembered that on leaving Paris she had flung into a trunk
an elegant dagger formerly belonging to a sultana, which she had
jestingly brought with her to the theatre of war, as some persons take
note-books in which to jot down their travelling ideas; she was less
attracted by the prospect of shedding blood than by the pleasure of
wearing a pretty weapon studded with precious stones, and playing with
a blade that was stainless. Three days earlier she had deeply
regretted having put this dagger in a trunk, when to escape her
enemies at La Vivetiere she had thought for a moment of killing
The Chouans |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Start in Life by Honore de Balzac: the reception of new-comers. Moreover, Desroches having taken an
office where legal documents had never yet been scribbled, had bought
new tables, and white boxes edged with blue, also new. His staff was
made up of clerks coming from other officers, without mutual ties, and
surprised, as one may say, to find themselves together. Godeschal, who
had served his apprenticeship under Maitre Derville, was not the sort
of clerk to allow the precious tradition of the "welcome" to be lost.
This "welcome" is a breakfast which every neophyte must give to the
"ancients" of the office into which he enters.
Now, about the time when Oscar came to the office, during the first
six months of Desroches' installation, on a winter evening when the
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The third excerpt represents the future or something you must embrace, and is drawn from The Yates Pride by Mary E. Wilkins Freeman: silent with regard to her own affairs."
"She ought to be," said Sophia, with her married authority. She
was, to her sisters, as one who had passed within the shrine and
was dignifiedly silent with regard to its intimate mysteries.
"I suppose so," assented Anna, with a soft sigh. Amelia sighed
also. Then she took the tea-tray out of the room. She had to
make some biscuits for supper.
Meantime Eudora was pacing homeward with the baby-carriage. Her
serene face was a little perturbed. Her oval cheeks were flushed,
and her mouth now and then trembled. She had, if she followed
her usual course, to pass the Wellwood Inn, but she could
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