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Today's Stichomancy for William Shakespeare

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herland by Charlotte Gilman:

characteristics, which of course we did not look for, but so much of what we had always thought essentially feminine.

The tradition of men as guardians and protectors had quite died out. These stalwart virgins had no men to fear and therefore no need of protection. As to wild beasts--there were none in their sheltered land.

The power of mother-love, that maternal instinct we so highly laud, was theirs of course, raised to its highest power; and a sister-love which, even while recognizing the actual relationship, we found it hard to credit.

Terry, incredulous, even contemptuous, when we were alone,


Herland
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Walden by Henry David Thoreau:

passage of a traveller along the highway sixty rods off by the scent of his pipe. There is commonly sufficient space about us. Our horizon is never quite at our elbows. The thick wood is not just at our door, nor the pond, but somewhat is always clearing, familiar and worn by us, appropriated and fenced in some way, and reclaimed from Nature. For what reason have I this vast range and circuit, some square miles of unfrequented forest, for my privacy, abandoned to me by men? My nearest neighbor is a mile distant, and no house is visible from any place but the hill-tops within half a mile of my own. I have my horizon bounded by woods all to myself; a distant view of


Walden
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

criticisms, all carefully preserved along with the list of receipts which were simultaneously pouring in from the German performances. To do the critics justice they never withdrew any of their printed opinions, which were all trotted out again when the play was produced privately for the second time in England by the Literary Theatre Society in 1906. In the Speaker of July 14th, 1906, however, some of the iterated misrepresentations of fact were corrected. No attempt was made to controvert the opinion of an ignorant critic: his veracity only was impugned. The powers of vaticination possessed by such judges of drama can be fairly tested in the career of Salome on the European stage, apart from the opera.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Last War: A World Set Free by H. G. Wells:

others to it.'

The American said something about an epoch-making day.

'But surely,' said the king, 'you don't want us to condemn all humanity to a world-wide annual Fourth of July for ever and ever more. On account of this harmless necessary day of declarations. No conceivable day could ever deserve that. Ah! you do not know, as I do, the devastations of the memorable. My poor grandparents were--RUBRICATED. The worst of these huge celebrations is that they break up the dignified succession of one's contemporary emotions. They interrupt. They set back. Suddenly out come the flags and fireworks, and the old enthusiasms are furbished


The Last War: A World Set Free