Today's Stichomancy for William T. Sherman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Hamlet by William Shakespeare:

till he find it stopping a bunghole

Hor. 'Twere to consider: to curiously to consider so

Ham. No faith, not a iot. But to follow him thether with modestie enough, & likeliehood to lead it; as thus. Alexander died: Alexander was buried: Alexander returneth into dust; the dust is earth; of earth we make Lome, and why of that Lome (whereto he was conuerted) might they not stopp a Beere-barrell? Imperiall Caesar, dead and turn'd to clay, Might stop a hole to keepe the winde away. Oh, that that earth, which kept the world in awe,

Hamlet

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Children of the Night by Edwin Arlington Robinson:

Flashed with a piercing flame, and the pavements Pulsed and swayed with a warmth -- or something That seemed so then to my feet -- and thrilled me With a quick, dizzy joy; and the women And men, like marvellous things of magic, Floated and laughed and sang by my shoulder, Sent with a wizard motion. Through it And over and under it all there sounded A murmur of life, like bees; and I listened And laughed again to think of the flower That grew, blood-red, for me! . . . This fellow

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Scaramouche by Rafael Sabatini:

four-and-twenty hours might be a zone of danger for all persons of quality, particularly those suspected of connections with the Court party.

Now there was no doubt whatever of Mme. de Plougastel's connection with the Court. It was not even to be doubted - indeed, measure of proof of it was to be forthcoming - that those vigilant and ubiquitous secret societies that watched over the cradle of the young revolution were fully informed of the frequent journeyings of M. de Plougastel to Coblenz, and entertained no illusions on the score of the reason for them. Given, then, a defeat of the Court party in the struggle that was preparing, the position in Paris of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Dunwich Horror by H. P. Lovecraft:

quickest by cuttin' across the lower medder here, wadin' the brook at the low place, an' climbin' through Carrier's mowin' an' the timber-lot beyont. That comes aout on the upper rud mighty nigh Seth's - a leetle t'other side.' Armitage, with Rice and Morgan, started to walk in the direction indicated; and most of the natives followed slowly. The sky was growing lighter, and there were signs that the storm had worn itself away. When Armitage inadvertently took a wrong direction, Joe Osborn warned him and walked ahead to show the right one. Courage and confidence were mounting, though the twilight of the almost perpendicular wooded hill which lay

The Dunwich Horror