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Today's Stichomancy for William T. Sherman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mansfield Park by Jane Austen:

was increased, and she was miserable in considering how much unsuspected vexation was probably ready to burst on him.

Sir Thomas was indeed the life of the party, who at his suggestion now seated themselves round the fire. He had the best right to be the talker; and the delight of his sensations in being again in his own house, in the centre of his family, after such a separation, made him communicative and chatty in a very unusual degree; and he was ready to give every information as to his voyage, and answer every question of his two sons almost before


Mansfield Park
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The War in the Air by H. G. Wells:

It kept him awake at nights to think that he might lose it.

The essential fact of the politics of the age in which Bert Smallways lived--the age that blundered at last into the catastrophe of the War in the Air--was a very simple one, if only people had had the intelligence to be simple about it. The development of Science had altered the scale of human affairs. By means of rapid mechanical traction, it had brought men nearer together, so much nearer socially, economically, physically, that the old separations into nations and kingdoms were no longer possible, a newer, wider synthesis was not only needed, but imperatively demanded. Just as the once independent dukedoms of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato:

assent of any man of sense. The narrative is continued; Socrates is desirous of explaining how opposite ideas may appear to co-exist but do not really co-exist in the same thing or person. For example, Simmias may be said to have greatness and also smallness, because he is greater than Socrates and less than Phaedo. And yet Simmias is not really great and also small, but only when compared to Phaedo and Socrates. I use the illustration, says Socrates, because I want to show you not only that ideal opposites exclude one another, but also the opposites in us. I, for example, having the attribute of smallness remain small, and cannot become great: the smallness which is in me drives out greatness.

One of the company here remarked that this was inconsistent with the old

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad:

or relations--slept in a confused heap of brown arms, legs, and multi-coloured garments, from whence issued an occasional snore or a subdued groan of some uneasy sleeper. An European lamp with a green shade standing on the table made all this indistinctly visible to Dain.

"You are welcome to your rest here," said Babalatchi, looking at Dain interrogatively.

"I must speak to the Rajah at once," answered Dain.

Babalatchi made a gesture of assent, and, turning to the brass gong suspended under the arm-rack, struck two sharp blows.

The ear-splitting din woke up the guard. The snores ceased;


Almayer's Folly