The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato: assent of any man of sense. The narrative is continued; Socrates is
desirous of explaining how opposite ideas may appear to co-exist but do not
really co-exist in the same thing or person. For example, Simmias may be
said to have greatness and also smallness, because he is greater than
Socrates and less than Phaedo. And yet Simmias is not really great and
also small, but only when compared to Phaedo and Socrates. I use the
illustration, says Socrates, because I want to show you not only that ideal
opposites exclude one another, but also the opposites in us. I, for
example, having the attribute of smallness remain small, and cannot become
great: the smallness which is in me drives out greatness.
One of the company here remarked that this was inconsistent with the old
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad: or relations--slept in a confused heap of brown arms, legs, and
multi-coloured garments, from whence issued an occasional snore
or a subdued groan of some uneasy sleeper. An European lamp with
a green shade standing on the table made all this indistinctly
visible to Dain.
"You are welcome to your rest here," said Babalatchi, looking at
Dain interrogatively.
"I must speak to the Rajah at once," answered Dain.
Babalatchi made a gesture of assent, and, turning to the brass
gong suspended under the arm-rack, struck two sharp blows.
The ear-splitting din woke up the guard. The snores ceased;
Almayer's Folly |