Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for William T. Sherman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

thy body and thy head as well as possible. But, if I conquer thee again, know that thou shalt surely die." And he replies: "I desire nothing better than that, and ask for no further favour." "And I will give thee this advantage," he adds: "I will fight thee as I stand, without changing my present position." Then the other knight makes ready, and they begin the fight again eagerly. But this time the knight triumphed more quickly than he had done at first. And the damsel at once cries out: "Do not spare him, knight, for anything he may say to thee. Surely he would not have spared thee, had he once defeated thee. If thou heedest what he says, be sure that he will again beguile thee. Fair

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Essays of Travel by Robert Louis Stevenson:

there a spacious outlook over moonlit woods, these two precede us and sound many a jolly flourish as they walk. We gather ferns and dry boughs into the cavern, and soon a good blaze flutters the shadows of the old bandits' haunt, and shows shapely beards and comely faces and toilettes ranged about the wall. The bowl is lit, and the punch is burnt and sent round in scalding thimblefuls. So a good hour or two may pass with song and jest. And then we go home in the moonlit morning, straggling a good deal among the birch tufts and the boulders, but ever called together again, as one of our leaders winds his horn. Perhaps some one of the party will not heed the summons, but chooses out some by-way of his own. As he follows the winding

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Travel by Robert Louis Stevenson:

little above, the church sits well back on its haunches against the hillside - an attitude for a church, you know, that makes it look as if it could be ever so much higher if it liked; and the trees grew about it thickly, so as to make a density of shade in the churchyard. A very quiet place it looks; and yet I saw many boards and posters about threatening dire punishment against those who broke the church windows or defaced the precinct, and offering rewards for the apprehension of those who had done the like already. It was fair day in Great Missenden. There were three stalls set up, SUB JOVE, for the sale of pastry and cheap toys; and a great number of holiday children thronged about the stalls and noisily invaded every corner

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Desert Gold by Zane Grey:

except sleep. That was Ladd's most inflexible command. He gave no reason. But not improbably the ranger thought that the terrific heat of the day spend in slumber lessened a wear and strain, if not a real danger of madness.

Accordingly, at first the occupations of this little group were many and various. They worked if they had something to do, or could invent a pretext. They told and retold stories until all were wearisome. They sang songs. Mercedes taught Spanish. They played every game they knew. They invented others that were so trivial children would scarcely have been interested, and these they played seriously. In a word, with intelligence and passion,


Desert Gold