| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dreams & Dust by Don Marquis: Is the world but a bubble, a bauble, a joke?
Heigho, Brother Fools, now your bubble is broke,
Do you ask for a tear?--or is it worth while?
Here's a sigh for you, then--but it ends in a smile!
Ho, Brother Death,
We would laugh at you, too--if you spared us the
breath!
"MARY, MARY, QUITE CONTRARY"
"Mary, Mary, quite contrary,
How does your garden grow?
With silver bells and cockle-shells
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shakespeare's Sonnets by William Shakespeare: No news but health from their physicians know;--
For, if I should despair, I should grow mad,
And in my madness might speak ill of thee;
Now this ill-wresting world is grown so bad,
Mad slanderers by mad ears believed be.
That I may not be so, nor thou belied,
Bear thine eyes straight, though thy proud heart go wide.
CXLI
In faith I do not love thee with mine eyes,
For they in thee a thousand errors note;
But 'tis my heart that loves what they despise,
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy: had ridden thus far, had then met Briggs, the skipper of the DAY
DREAM, and had sent the groom back to Richmond with Sultan and the
empty saddle.
This news puzzled Marguerite more than ever. Where could Sir
Percy be going just now in the DAY DREAM? On Armand's behalf, he
had said. Well! Sir Percy had influential friends everywhere.
Perhaps he was going to Greenwich, or. . .but Marguerite ceased to
conjecture; all would be explained anon: he said that he would come
back, and that he would remember.
A long, idle day lay before Marguerite. She was expecting a
visit of her old school-fellow, little Suzanne de Tournay. With all
 The Scarlet Pimpernel |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: house. The march had formed with Louise radiantly leading on the
arm of papa. Claralie tripped by with Leon. Of course, nothing
remained for Theophile and Manuela to do but to bring up the
rear, for which they received much good-natured chaffing.
But when the party reached the dining-room, Theophile proudly led
his partner to the head of the table, at the right hand of maman,
and smiled benignly about at the delighted assemblage. Now you
know, when a Creole young man places a girl at his mother's right
hand at his own table, there is but one conclusion to be deduced
therefrom.
If you had asked Manuela, after the wedding was over, how it
 The Goodness of St. Rocque and Other Stories |