The first excerpt represents the past or something you must release, and is drawn from The Human Drift by Jack London: to meet him.] You never said you were coming.
[BILLY shows that he expects to kiss her, but she merely shakes
his hand.]
BILLY. [Looking down at his very dusty shoes.] I walked from the
station.
LORETTA. If you had let me know, the carriage would have been
sent for you.
BILLY. [With expression of shrewdness.] If I had let you know,
you wouldn't have let me come.
[BILLY looks around stage cautiously, then tries to kiss her.]
LORETTA. [Refusing to be kissed. ] Won't you sit down?
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Firm of Nucingen by Honore de Balzac: the family--the tall Malvina, the frivolous Baroness, and the little
lady of the dance. He became a servant after the most conscientious
and restricted fashion. He was not scared away by the cadaverous
remains of opulence; not he! by degrees he became accustomed to the
threadbare condition of things. It never struck the young man that the
green silk damask and white ornaments in the drawing-room needed
refurnishing. The curtains, the tea-table, the knick-knacks on the
chimney-piece, the rococo chandelier, the Eastern carpet with the pile
worn down to the thread, the pianoforte, the little flowered china
cups, the fringed serviettes so full of holes that they looked like
open work in the Spanish fashion, the green sitting-room with the
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The third excerpt represents the future or something you must embrace, and is drawn from Macbeth by William Shakespeare: Lord. Ile send my Prayers with him.
Exeunt.
Actus Quartus. Scena Prima.
Thunder. Enter the three Witches.
1 Thrice the brinded Cat hath mew'd
2 Thrice, and once the Hedge-Pigge whin'd
3 Harpier cries, 'tis time, 'tis time
1 Round about the Caldron go:
In the poysond Entrailes throw
Toad, that vnder cold stone,
Dayes and Nights, ha's thirty one:
 Macbeth |