Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Woody Allen

The first excerpt represents the past or something you must release, and is drawn from Betty Zane by Zane Grey:

their horses eastward.

CHAPTER X.

It was near the close of a day in early summer. A small group of persons surrounded Col. Zane where he sat on his doorstep. From time to time he took the long Indian pipe from his mouth and blew great clouds of smoke over his head. Major McColloch and Capt. Boggs were there. Silas Zane half reclined on the grass. The Colonel's wife stood in the door-way, and Betty sat on the lower step with her head leaning against her brother's knee. They all had grave faces. Jonathan Zane had returned that day after an absence of three weeks, and was now answering the many questions with which he was plied.

"Don't ask me any more and I'll tell you the whole thing," he had just said,


Betty Zane
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Father Sergius by Leo Tolstoy:

he laid the forefinger of his left hand on the block, swung the axe, and struck with it below the second joint. The finger flew off more lightly than a stick of similar thickness, and bounding up, turned over on the edge of the block and then fell to the floor.

He heard it fall before he felt any pain, but before he had time to be surprised he felt a burning pain and the warmth of flowing blood. He hastily wrapped the stump in the skirt of his cassock, and pressing it to his hip went back into the room, and standing in front of the woman, lowered his eyes and asked in a low voice: 'What do you want?'

The third excerpt represents the future or something you must embrace, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

Farewell all quality of high renown, Pride, pomp, and circumstance of glorious town! Farewell! your revels I partake no more, And Lady Teazle's occupation's o'er! All this I told our bard; he smiled, and said 'twas clear, I ought to play deep tragedy next year. Meanwhile he drew wise morals from his play, And in these solemn periods stalk'd away:--- "Bless'd were the fair like you; her faults who stopp'd, And closed her follies when the curtain dropp'd! No more in vice or error to engage,