The first excerpt represents the past or something you must release, and is drawn from Four Arthurian Romances by Chretien DeTroyes: distasteful that I will not do it."
(Vv. 2793-2978.) While he is thus beseeching him, behold across
the field a maiden riding on a tawny mule, her head uncovered and
her dress disarranged. In her hand she held a whip with which
she belaboured the mule; and in truth no horse could have
galloped so fast as was the pace of the mule. The damsel called
out to the Knight of the Cart: "May God bless thy heart, Sir
Knight, with whatever delights thee most!" And he, who heard her
gladly, says: "May God bless you, damsel, and give you joy and
health!" Then she tells him of her desire. "Knight," she says,
"in urgent need I have come from afar to thee to ask a favour,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Egmont by Johann Wolfgang Von Goethe: already seen her hesitate and draw back; nevertheless, it lies in her to take
this step; new circumstances may impel her to the long-delayed resolve.
What if she were to depart, and the king to send another?
Egmont. Why, he would come, and he also would have business enough
upon his hands. He would arrive with vast projects and schemes to reduce
all things to order, to subjugate and combine; and to-day he would be
occupied with this trifle, to-morrow with that, and the day following have
to deal with some unexpected hindrance. He would spend one month in
forming plans, another in mortification at their failure, and half a year
would be consumed in cares for a single province. With him also time
would pass, his head grow dizzy, and things hold on their ordinary course,
 Egmont |
The third excerpt represents the future or something you must embrace, and is drawn from Herland by Charlotte Gilman: "Thousands--in a large city," said Jeff, "and nearly every
family has one in the country."
Terry broke in at this. "You must not imagine they are all
dangerous--it's not one in a hundred that ever bites anybody.
Why, they are the best friends of the children--a boy doesn't
have half a chance that hasn't a dog to play with!"
"And the girls?" asked Somel.
"Oh--girls--why they like them too," he said, but his voice flatted
a little. They always noticed little things like that, we found later.
Little by little they wrung from us the fact that the friend of
man, in the city, was a prisoner; was taken out for his meager
 Herland |