Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Wyatt Earp

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

When she had put the pot of soup on the fire, she sat down by the window, adjusted her big spectacles and began to read. To her great delight she discovered that the paper she held in her hand bore the date of the previous afternoon. In spite of the good intentions of her friend the grocer, it was not always that she could get a paper of so recent date, and she began to read with doubled anticipation of pleasure.

She did not waste time on the leading articles, for she understood little about politics. The serial stories were a great delight to her, or would have been, if she had ever been able to follow them consecutively. But her principal joy were the everyday happenings

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

each swaying stalk, so as to present only their edges to the wind. But, if you approach, those pale husks all break open to display strange splendors of scarlet and seal-brown, with arabesque mottlings in white and black: they change into wondrous living blossoms, which detach themselves before your eyes and rise in air, and flutter away by thousands to settle down farther off, and turn into wheat-colored husks once more ... a whirling flower-drift of sleepy butterflies!

Southwest, across the pass, gleams beautiful Grande Isle: primitively a wilderness of palmetto (latanier);--then drained, diked, and cultivated by Spanish sugar-planters; and now familiar

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Heritage of the Desert by Zane Grey:

Charger, and roped the gray, tied him fast, and saddled him. Then he loosed the lassoes except the one around Silvermane's neck, which he whipped under his foreleg to draw him down. Silvermane heaved a groan which plainly said he never wanted to rise again. Swiftly the Indian knelt on the stallion's head; his hands flashed; there was a scream, a click of steel on bone; and proud Silvermane jumped to his feet with a bit between his teeth.

The Navajo, firmly in the saddle, rose with him, and Silvermane leaped through the corral gate, and out upon the stretch, lengthening out with every stride, and settling into a wild, despairing burst of speed. The white mane waved in the wind; the half-naked Navajo swayed to the motion.


The Heritage of the Desert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ozma of Oz by L. Frank Baum:

valley at the further end.

Westward the fertile Land of Ev suddenly ended a little way from the palace, and the girl could see miles and miles of sandy desert that stretched further than her eyes could reach. It was this desert, she thought, with much interest, that alone separated her from the wonderful Land of Oz, and she remembered sorrowfully that she had been told no one had ever been able to cross this dangerous waste but herself. Once a cyclone had carried her across it, and a magical pair of silver shoes had carried her back again. But now she had neither a cyclone nor silver shoes to assist her, and her condition was sad indeed. For she had become the prisoner of a disagreeable princess


Ozma of Oz