Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Wyatt Earp

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Apology by Xenophon:

xxviii. 5.

As they listened to these words the judges murmured their dissent, some as disbelieving what was said, and others out of simple envy that Socrates should actually receive from heaven more than they themselves; whereupon Socrates returned to the charge. "Come," he said, "lend me your ears while I tell you something more, so that those of you who choose may go to a still greater length in refusing to believe that I am thus highly honoured by the divine powers. Chaerephon[25] once, in the presence of many witnesses, put a question at Delhi concerning me, and Apollo answered that there was no human being more liberal, or more upright, or more temperate than myself."


The Apology
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gambara by Honore de Balzac:

leaning over to speak in the Count's ear, "and why should I thwart their hopes? I, for my part, do not hate an absolute government. Excellenza, every man of talent is for depotism!

"Well, though full of genius, Ottoboni takes no end of pains to educate Italy; he writes little books to enlighten the intelligence of the children and the common people, and he smuggles them very cleverly into Italy. He takes immense trouble to reform the moral sense of our luckless country, which, after all, prefers pleasure to freedom,--and perhaps it is right."

The Count preserved such an impenetrable attitude that the cook could discover nothing of his political views.


Gambara
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson:

steer about the bairn would has pleased naebody."

"And where'll she be now?" says I.

"Gude kens!" says Doig, with a shrug.

"She'll have gone home to Lady Allardyce, I'm thinking," said I.

"That'll be it," said he.

"Then I'll gang there straight," says I.

"But ye'll be for a bite or ye go?" said he.

"Neither bite nor sup," said I. "I had a good wauch of milk in by Ratho."

"Aweel, aweel," says Doig. "But ye'll can leave your horse here and your bags, for it seems we're to have your up-put."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

than those four lions bounding across the veldt, overshadowed by the dense pall of smoke and backed by the fiery furnace of the burning reeds.

"I reckoned that they would pass, on their way to the bushy kloof, within about five and twenty yards of me, so, taking a long breath, I got my gun well on to the lion's shoulder--the black-maned one--so as to allow for an inch or two of motion, and catch him through the heart. I was on, dead on, and my finger was just beginning to tighten on the trigger, when suddenly I went blind--a bit of reed-ash had drifted into my right eye. I danced and rubbed, and succeeded in clearing it more or less just in time to see the tail of the last lion vanishing round the


Long Odds