The first excerpt represents the past or something you must release, and is drawn from The Tin Woodman of Oz by L. Frank Baum: Nevertheless, I prefer my former manly form to this
owl's shape and would be glad to break Mrs. Yoop's
enchantment as soon as possible. I am so noisy, just
now, that I disturb myself," and he fluttered his wings
with a clatter that echoed throughout the forest.
So, being all of one mind, they turned southward,
traveling steadily on until the woods were left behind
and the landscape turned from purple tints to blue
tints, which assured them they had entered the Country
of the Munchkins.
"Now I feel myself more safe," said the Scarecrow
 The Tin Woodman of Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Fables by Robert Louis Stevenson: look in this, you will see yourself as you are."
And the younger son looked in it, and saw his face as it were the
face of a beardless youth, and he was well enough pleased; for the
thing was a piece of a mirror.
"Here is no such great thing to make a work about," said he; "but
if it will get me the maid I shall never complain. But what a fool
is my brother to ride into the world, and the thing all the while
at home!"
So they rode back to the other dun, and showed the mirror to the
King that was a priest; and when he had looked in it, and seen
himself like a King, and his house like a King's house, and all
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The third excerpt represents the future or something you must embrace, and is drawn from Little Britain by Washington Irving: the summit of human splendor; and his procession, with all the
Sheriffs and Aldermen in his train, as the grandest of earthly
pageants. How they exult in the idea that the King himself
dare not enter the city without first knocking at the gate of
Temple Bar, and asking permission of the Lord Mayor: for if
he did, heaven and earth! there is no knowing what might be
the consequence. The man in armor, who rides before the
Lord mayor, and is the city champion, has orders to cut down
everybody that offends against the dignity of the city; and then
there is the little man with a velvet porringer on his head, who
sits at the window of the state-coach, and holds the city sword,
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