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Today's Stichomancy for Yasser Arafat

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and the Future by H. G. Wells:

sides. To say that is his conception of impartiality. I suppose that if a bull gored his sister he would say that there were faults on both sides; his sister ought not to have strayed into the field, she was wearing a red hat of a highly provocative type; she ought to have been a cow and then everything would have been different. In the face of the history of the last forty years, the Genteel Whig struggles persistently to minimise the German outrage upon civilisation and to find excuses for Germany. He does this, not because he has any real passion for falsehood, but because by training, circumstance, and disposition he is passionately averse from action with the vulgar majority and from

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Duchess of Padua by Oscar Wilde:

To quench this fire?

GUIDO

O God!

DUCHESS

You did not tell me There was a drought in Italy, and no water: Nothing but fire.

GUIDO

O Love!

DUCHESS

Send for a leech,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

them to carry out any sinister threat that Paulvitch had made, and there was a bare chance that by conceding their demands he might save the boy.

That they would permit him to live after he had appended his name to the cheque never occurred to him as being within the realms of probability. But he was determined to give them such a battle as they would never forget, and possibly to take Paulvitch with him into eternity. He was only sorry that it was not Rokoff.

He took his pocket cheque-book and fountain-pen from his pocket.

"What is the amount?" he asked.


The Beasts of Tarzan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Taming of the Shrew by William Shakespeare:

And for thy maintenance commits his body To painful labour both by sea and land, To watch the night in storms, the day in cold, Whilst thou liest warm at home, secure and safe; And craves no other tribute at thy hands But love, fair looks, and true obedience; Too little payment for so great a debt. Such duty as the subject owes the prince, Even such a woman oweth to her husband; And when she is froward, peevish, sullen, sour, And not obedient to his honest will,


The Taming of the Shrew