The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Albert Savarus by Honore de Balzac: Francesca said a word to Gina, who gave Rodolphe her arm as far as the
Stopfers' door, and fled like a swallow as soon as she had rung.
"These patriots do not play at killing!" said Rodolphe to himself as
he felt his sufferings when he found himself in his bed. " '/Nel
lago!' Gina would have pitched me into the lake with a stone tied to
my neck."
Next day he sent to Lucerne for the best surgeon there, and when he
came, enjoined on him absolute secrecy, giving him to understand that
his honor depended on it.
Leopold returned from his excursion on the day when his friend first
got out of bed. Rodolphe made up a story, and begged him to go to
Albert Savarus |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad: and the seas, makes, by contrast with the great piles of bricks,
the chains and cables of their moorings appear very necessary, as
if nothing less could prevent them from soaring upwards and over
the roofs. The least puff of wind stealing round the corners of
the dock buildings stirs these captives fettered to rigid shores.
It is as if the soul of a ship were impatient of confinement.
Those masted hulls, relieved of their cargo, become restless at the
slightest hint of the wind's freedom. However tightly moored, they
range a little at their berths, swaying imperceptibly the spire-
like assemblages of cordage and spars. You can detect their
impatience by watching the sway of the mastheads against the
The Mirror of the Sea |