| The first excerpt represents the past or something you must release, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes: down the street together?
PROFESSOR (drawing back a little). - We can talk more quietly,
perhaps, in my study. Will you tell me how it is you seem to be
acquainted with everybody you are introduced to, though he
evidently considers you an entire stranger?
OLD AGE. - I make it a rule never to force myself upon a person's
recognition until I have known him at least FIVE YEARS.
PROFESSOR. - Do you mean to say that you have known me so long as
that?
OLD AGE. I do. I left my card on you longer ago than that, but I
am afraid you never read it; yet I see you have it with you.
The Autocrat of the Breakfast-Table |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson: try, count on my undying gratitude. Lang's 'Library' is very
pleasant reading.
My book will reach you soon, for I write about it to-day - Yours
ever,
ROBERT LOUIS STEVENSON.
Letter: TO SIDNEY COLVIN
KINNAIRD COTTAGE, PITLOCHRY, PERTHSHIRE, JUNE 1881.
MY DEAR COLVIN, - THE BLACK MAN AND OTHER TALES.
The Black Man:
I. Thrawn Janet.
II. The Devil on Cramond Sands.
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The third excerpt represents the future or something you must embrace, and is drawn from Two Poets by Honore de Balzac: father."
The question thus raised was hard to lay, for the old man was only too
delighted to seize an opportunity of posing as a good father without
disbursing a penny; and all that David could obtain was his bare
consent to the marriage and free leave to do what he liked in the
house--at his own expense; the old "bear," that pattern of a thrifty
parent, kindly consenting not to demand the rent and drain the savings
to which David imprudently owned. David went back again in low
spirits. He saw that he could not reckon on his father's help in
misfortune.
In Angouleme that day people talked of nothing but the Bishop's
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