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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Professor by Charlotte Bronte:

pleasurable emotion to my heart--that it stirred in me none of the hopes a man ought to feel, when he sees laid before him the scene of his life's career--I said to myself, "William, you are a rebel against circumstances; you are a fool, and know not what you want; you have chosen trade and you shall be a tradesman. Look!" I continued mentally--"Look at the sooty smoke in that hollow, and know that there is your post! There you cannot dream, you cannot speculate and theorize--there you shall out and work!"

Thus self-schooled, I returned to the house. My brother was in the breakfast-room. I met him collectedly--I could not meet him


The Professor
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On Horsemanship by Xenophon:

feet, I would suggest to take and throw down loosely[10] four or five waggon loads of pebbles, each as large as can be grasped in the hand, and about a pound in weight; the whole to be fenced round with a skirting of iron to prevent scattering. The mere standing on these will come to precisely the same thing as if for a certain portion of the day the horse were, off and on, stepping along a stony road; whilst being curried or when fidgeted by flies he will be forced to use his hoofs just as much as if he were walking. Nor is it the hoofs merely, but a surface so strewn with stones will tend to harden the frog of the foot also.

[7] Lit. "A damp and smooth floor may be the ruin of a naturally good


On Horsemanship
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Falk by Joseph Conrad:

say the least of it; while the prospect of making a long sea passage with those two fellows was depress- ing. And my other thoughts in solitude could not be of a gay complexion. The crew was sickly, the cargo was coming very slow; I foresaw I would have lots of trouble with the charterers, and doubted whether they would advance me enough money for the ship's expenses. Their attitude towards me was unfriendly. Altogether I was not getting on. I would discover at odd times (generally about mid- night) that I was totally inexperienced, greatly ig-


Falk
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from McTeague by Frank Norris:

"Not a penny, not a single penny."

"Oh, I don't care WHAT you do." And for the rest of the day the dentist and his wife did not speak.

This was not the only quarrel they had during these days when they were occupied in moving from their suite and in looking for new quarters. Every hour the question of money came up. Trina had become more niggardly than ever since the loss of McTeague's practice. It was not mere economy with her now. It was a panic terror lest a fraction of a cent of her little savings should be touched; a passionate eagerness to continue to save in spite of all that had happened.


McTeague