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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Passion in the Desert by Honore de Balzac:

'Well known.'

" 'How "well known"?' I said. 'If you would only explain me the mystery, I should be vastly obliged.'

"After a few minutes, during which we made acquaintance, we went to dine at the first restauranteur's whose shop caught our eye. At dessert a bottle of champagne completely refreshed and brightened up the memories of this odd old soldier. He told me his story, and I saw that he was right when he exclaimed, 'Well known.' "

When she got home, she teased me to that extent, was so charming, and made so many promises, that I consented to communicate to her the confidences of the old soldier. Next day she received the following

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The American by Henry James:

Valentin had leaned forward again, with his elbows on his knees, and he was scratching the pavement with his stick. At last he said, looking up, "Do you really think I ought to do something?"

Newman laid his hand on his companion's arm and looked at him a moment through sagaciously-narrowed eyelids. "Try it and see. You are not good enough for it, but we will stretch a point."

"Do you really think I can make some money? I should like to see how it feels to have a little."

"Do what I tell you, and you shall be rich," said Newman. "Think of it." And he looked at his watch and prepared to resume

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Almayer's Folly by Joseph Conrad:

is here for an important talk, bitcharra--if you mercifully consent."

Evidently Lakamba's mercy went so far--for in a short while he came out from behind the curtain--but it did not go to the length of inducing him to make an extensive toilet. A short red sarong tightened hastily round his hips was his only garment. The merciful ruler of Sambir looked sleepy and rather sulky. He sat in the arm-chair, his knees well apart, his elbows on the arm-rests, his chin on his breast, breathing heavily and waiting malevolently for Dain to open the important talk.

But Dain did not seem anxious to begin. He directed his gaze


Almayer's Folly
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moran of the Lady Letty by Frank Norris:

bunks, stowed in two gunny-bags. Hoang drew them out, knotted the two together, and, slinging them over his shoulder, regained the deck.

He looked carefully at the angry sky and swelling seas, noting the direction of the wind and set of the tide; then went forward and cast the anchor-chains from the windlass in such a manner that the schooner must inevitably wrench free with the first heavy strain. The dory was still tugging at the line astern. Hoang dropped the sacks in the boat, swung himself over the side, and rowed calmly toward the station's wharf. If any notion of putting to sea with the schooner had entered the obscure, perverted cunning of his