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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and Peace by Leo Tolstoy:

gazettes from which the old prince first heard of the defeat at Austerlitz stated, as usual very briefly and vaguely, that after brilliant engagements the Russians had had to retreat and had made their withdrawal in perfect order. The old prince understood from this official report that our army had been defeated. A week after the gazette report of the battle of Austerlitz came a letter from Kutuzov informing the prince of the fate that had befallen his son.

"Your son," wrote Kutuzov, "fell before my eyes, a standard in his hand and at the head of a regiment- he fell as a hero, worthy of his father and his fatherland. To the great regret of myself and of the whole army it is still uncertain whether he is alive or not. I comfort


War and Peace
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pride and Prejudice by Jane Austen:

again, put it out of her power to dance with others. In vain did she entreat him to stand up with somebody else, and offer to introduce him to any young lady in the room. He assured her, that as to dancing, he was perfectly indifferent to it; that his chief object was by delicate attentions to recommend himself to her and that he should therefore make a point of remaining close to her the whole evening. There was no arguing upon such a project. She owed her greatest relief to her friend Miss Lucas, who often joined them, and good-naturedly engaged Mr. Collins's conversation to herself.

She was at least free from the offense of Mr. Darcy's further


Pride and Prejudice
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Barnaby Rudge by Charles Dickens:

spreading from cell to cell and from yard to yard, vented itself in such dismal cries and wailings, and in such dreadful shrieks for help, that the whole jail resounded with the noise; which was loudly heard even above the shouting of the mob and roaring of the flames, and was so full of agony and despair, that it made the boldest tremble.

It was remarkable that these cries began in that quarter of the jail which fronted Newgate Street, where, it was well known, the men who were to suffer death on Thursday were confined. And not only were these four who had so short a time to live, the first to whom the dread of being burnt occurred, but they were, throughout,


Barnaby Rudge
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Protagoras by Plato:

the old art of rhetoric and the new science of interrogation and argument; also of the irony of Socrates and the self-assertion of the Sophists. There is quite as much truth on the side of Protagoras as of Socrates; but the truth of Protagoras is based on common sense and common maxims of morality, while that of Socrates is paradoxical or transcendental, and though full of meaning and insight, hardly intelligible to the rest of mankind. Here as elsewhere is the usual contrast between the Sophists representing average public opinion and Socrates seeking for increased clearness and unity of ideas. But to a great extent Protagoras has the best of the argument and represents the better mind of man.

For example: (1) one of the noblest statements to be found in antiquity