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Today's Stichomancy for Yoko Ono

The first excerpt represents the past or something you must release, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

was her bread, this monotonous, unending work; and though whole days and nights constant labour brought but the most meagre recompense, it was her only hope of life.

She sat before the little charcoal brazier and warmed her transparent, needle-pricked fingers, thinking meanwhile of the strange events of the day. She had been up town to carry the great, black bundle of coarse pants and vests to the factory and to receive her small pittance, and on the way home stopped in at the Jesuit Church to say her little prayer at the altar of the calm white Virgin. There had been a wondrous burst of music from the great organ as she knelt there, an overpowering perfume of


The Goodness of St. Rocque and Other Stories
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Brother of Daphne by Dornford Yates:

she passed on. Neither of us spoke for a moment. Then:

"Why did you say you were Yvonne?" said I.

"Yvonne is my name, too."

"Were you afraid I might have a lucid interval?"

"Perhaps."

"Your fears are realized. I have- I'm having one now."

"How awful!"

"Isn't it? And now we've found your bag, would you mind if I looked for something else?"

"Something of yours or mine?"

"Something of yours?"


The Brother of Daphne
The third excerpt represents the future or something you must embrace, and is drawn from In Darkest England and The Way Out by General William Booth:

his bricks would be pronounced a failure and a fool. Perfection of architectural beauty, unlimited expenditure of capital, unfailing watchfulness of his labourers, would avail him nothing if the bricks were merely unkilned clay. Let him kindle a fire. And so here I see the folly of hoping to accomplish anything abiding, either in the circumstances or the morals of these hopeless classes, except there be a change effected in the whole man as well as in his surroundings. To this everything I hope to attempt will tend. In many cases I shall succeed, in some I shall fail; but even in failing of this my ultimate design, I shall at least benefit the bodies, if not the souls, of men; and if I do not save the fathers, I shall make a better chance for the


In Darkest England and The Way Out