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Today's Stichomancy for Yoko Ono

The first excerpt represents the past or something you must release, and is drawn from Shadow out of Time by H. P. Lovecraft:

infinite dread. I shunned mirrors as much as possible, and was always shaved at the barber's. It was a long time before I correlated any of these disappointed feelings with the fleeting, visual impressions which began to develop. The first such correlation had to do with the odd sensation of an external, artificial restraint on my memory.

I felt that the snatches of sight I experienced had a profound and terrible meaning, and a frightful connexion with myself, but that some purposeful influence held me from grasping that meaning and that connexion. Then came that queerness about the element of time, and with it desperate efforts to place the fragmentary


Shadow out of Time
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Turn of the Screw by Henry James:

strange passages and perils, secret disorders, vices more than suspected-- that would have accounted for a good deal more.

I scarce know how to put my story into words that shall be a credible picture of my state of mind; but I was in these days literally able to find a joy in the extraordinary flight of heroism the occasion demanded of me. I now saw that I had been asked for a service admirable and difficult; and there would be a greatness in letting it be seen--oh, in the right quarter!-- that I could succeed where many another girl might have failed. It was an immense help to me--I confess I rather applaud myself as I look back!--that I saw my service so strongly and so simply.

The third excerpt represents the future or something you must embrace, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

"I never skip," said Mrs. Plinth dogmatically.

"Ah, it's dangerous to, in Xingu. Even at the start there are places where one can't. One must just wade through."

"I should hardly call it WADING," said Mrs. Ballinger sarcastically.

Mrs. Roby sent her a look of interest. "Ah--you always found it went swimmingly?"

Mrs. Ballinger hesitated. "Of course there are difficult passages," she conceded modestly.

"Yes; some are not at all clear--even," Mrs. Roby added, "if one is familiar with the original."