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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy:

not yet be near morning, but he was growing more and more afraid, and wished both to get to know and yet to deceive himself. He carefully undid the fastening of his sheepskin, pushed in his hand, and felt about for a long time before he got to his waistcoat. With great difficulty he managed to draw out his silver watch with its enamelled flower design, and tried to make out the time. He could not see anything without a light. Again he went down on his knees and elbows as he had done when he lighted a cigarette, got out his matches, and proceeded to strike one. This time he went to work more carefully, and feeling with his fingers for a match with the


Master and Man
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters from England by Elizabeth Davis Bancroft:

read the classics: Latin and, I think, Greek, which he enjoyed to the last. She says that he never complained of losing his sight, but that her mother has told her that it worried him in his old age that he remained Minister during our troubles at a period when he wished, himself, to resign. He sometimes talked of it in the solitude of sleepless nights, her mother has told her.

On Tuesday morning we were invited by Dr. Buckland, the Dean of Westminster, to go to his house, and from thence to the Abbey, to witness the funeral of the Duke of Northumberland. The Dean, who has control of everything in the Abbey, issued tickets to several hundred persons to go and witness the funeral, but only Lord

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

dragged up with him the dead man's suit-case. The sight of it brought back to me at once my own predicament.

"I don't know whether there's any connection or not, conductor," I said, "but I am a victim, too, in less degree; I've been robbed of everything I possess, except a red and yellow bath-robe. I happened to be wearing the bath-robe, which was probably the reason the thief overlooked it."

There was a fresh murmur in the crowd. Some body laughed nervously. The conductor was irritated.

"I can't bother with that now," he snarled. "The railroad company is responsible for transportation, not for clothes, jewelry and


The Man in Lower Ten
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bucky O'Connor by William MacLeod Raine:

"And I'm not?"

"I tell you I'm not sayin' that," the other answered doggedly.

"You're hinting it awful loud. I stand for it this time, York, but never again. You butt in once more and you better reach for your hardware simultaneous. Stick a pin in that."

They had moved on again, and she did not hear Neil's answer. Nevertheless, she was comforted to know she had one friend among these desperate outlaws, and that comfort gave her at least an hour or two of broken, nappy sleep.

In the morning when she had dressed she found her room door unlocked, and she stepped outside into the sunshine. York Neil