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Today's Stichomancy for Yoko Ono

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rig Veda:

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The Rig Veda
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Madame Firmiani by Honore de Balzac:

friends. All my friends, monsieur, respect each other; they know that I have not philosophy enough to admit into my house those I do not esteem; this may argue a want of charity; but my guardian-angel has maintained in me to this day a profound aversion for tattle, and also for dishonesty."

Through the ring of her voice was slightly raised during the first part of this answer, the last words were said with the ease and self- possession of Celimene bantering the Misanthrope.

"Madame," said Monsieur de Bourbonne, in a voice of some emotion, "I am an old man; I am almost Octave's father, and I ask your pardon most humbly for the question that I shall now venture to put to you, giving

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson:

weapons, the Gregara three to two. It seemed we were beyond salvation, when Neil screamed in his own tongue, ordering the others back, and made his submission to myself in a manner the most abject, even giving me up his knife which (upon a repetition of his promises) I returned to him on the morrow.

Two things I saw plain: the first, that I must not build too high on Andie, who had shrunk against the wall and stood there, as pale as death, till the affair was over; the second, the strength of my own position with the Highlanders, who must have received extraordinary charges to be tender of my safety. But if I thought Andie came not very well out in courage, I had no fault to find with him upon the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Stories From the Old Attic by Robert Harris:

To the consternation of many, however, while the humakins could construct more of themselves in a factory, the humans could produce more of themselves only by following the ancient method of their ancestors, so that the result of the marriages between flesh and plastic was the eventual decline of the human race.

When about nine tenths of the persons on the planet consisted of the precisely fabricated humakins and only one tenth of the really human, quite an odd and unexpected situation arose. It had become so unusual to see, for example, a woman wearing glasses or a man with wind-blown hair that such a detail now took on a natural appeal to some of the other humans.