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Today's Stichomancy for Yoshitaka Amano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Damnation of Theron Ware by Harold Frederic:

And Mrs. Parshall heard it so DIRECT that you were to be sent here, and I know she told everybody how much I was lotting on it--I wish we could go right off tonight without going to her house--I shall be ashamed to look her in the face--and of course she knows we're poked off to that miserable Octavius.--Why, Theron, they tell me it's a worse place even than we've got now!"

"Oh, not at all," he put in reassuringly. "It has grown to be a large town--oh, quite twice the size of Tyre. It's a great Irish place, I've heard. Our own church seems to be a good deal run down there.


The Damnation of Theron Ware
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herland by Charlotte Gilman:

instead of developing them in detached lines, they had kept the connection. Let me try again to give, if I can, a faint sense of the difference in the life view--the background and basis on which their culture rested.

Ellador told me a lot about it. She took me to see the children, the growing girls, the special teachers. She picked out books for me to read. She always seemed to understand just what I wanted to know, and how to give it to me.

While Terry and Alima struck sparks and parted--he always madly drawn to her and she to him--she must have been, or she'd never have stood the way he behaved--Ellador and I had


Herland
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Woman of No Importance by Oscar Wilde:

no importance. [Throws letter down, and passes up the steps of the terrace with MRS. ALLONBY. They smile at each other.]

ACT DROP.

SECOND ACT

SCENE

Drawing-room at Hunstanton, after dinner, lamps lit. Door L.C. Door R.C.

[Ladies seated on sofas.]

MRS. ALLONBY. What a comfort it is to have got rid of the men for a little!

LADY STUTFIELD. Yes; men persecute us dreadfully, don't they?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glasses by Henry James:

her, I was professionally humiliated, and as the attendant in the lobby opened her box for me I felt that the very first thing I should have to say to her would be that she must absolutely sit to me again.

CHAPTER XIII

She gave me the smile once more as over her shoulder, from her chair, she turned her face to me. "Here you are again!" she exclaimed with her disgloved hand put up a little backward for me to take. I dropped into a chair just behind her and, having taken it and noted that one of the curtains of the box would make the demonstration sufficiently private, bent my lips over it and