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Today's Stichomancy for Yoshitaka Amano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

that I had gained would be lost--then my fingers reached a knot at the very end of the rope and slipped no more. With a prayer of gratitude upon my lips I scrambled upward toward the boat's deck. I could not see Thurid and Matai Shang now, but I heard the sounds of conflict and thus knew that they still fought--the thern for his life and the black for the increased buoyancy that relief from the weight of even a single body would give the craft. Should Matai Shang die before I reached the deck my chances of


The Warlord of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

and grasped him by the scruff of the neck. I did not interfere, for I guessed what would happen; and it did. With a savage growl Nobs turned like lightning upon the Galu, wrenched loose from his hold and leaped for his throat. The man stepped back and warded off the first attack with a heavy blow of his fist, immediately drawing his knife with which to meet the Airedale's return. And Nobs would have returned, all right, had not I spoken to him. In a low voice I called him to heel. For just an instant he hesitated, standing there trembling and with bared fangs, glaring at his foe; but he was well trained and had been out with me quite as much as he had with Bowen--in


The People That Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

and not guided to any great extent by reason, since the brain of a plant man is but a trifle larger than the end of your smallest finger. They live upon vegetation and the blood of animals, and their brain is just large enough to direct their movements in the direction of food, and to translate the food sensations which are carried to it from their eyes and ears. They have no sense of self-preservation and so are entirely without fear in the face of danger. That is why they are such terrible antagonists in combat."

I wondered why the black man took such pains to discourse thus at length to enemies upon the genesis of life Barsoomian.


The Gods of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

a handkerchief soaked with tears, while she gazed at the floor strewn with the torn fragments of a dress and the broken fragments of a large gilt picture-frame. Augustine, almost senseless with grief, pointed to the wreck with a gesture of deep despair.

"I don't know that the loss is very great!" cried the old mistress of the Cat and Racket. "It was like you, no doubt; but I am told that there is a man on the boulevard who paints lovely portraits for fifty crowns."

"Oh, mother!"

"Poor child, you are quite right," replied Madame Guillaume, who misinterpreted the expression of her daughter's glance at her. "True,