| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Georgics by Virgil: Shall the cool dews of one brief night repair.
Land which the burrowing share shows dark and rich,
With crumbling soil- for this we counterfeit
In ploughing- for corn is goodliest; from no field
More wains thou'lt see wend home with plodding steers;
Or that from which the husbandman in spleen
Has cleared the timber, and o'erthrown the copse
That year on year lay idle, and from the roots
Uptorn the immemorial haunt of birds;
They banished from their nests have sought the skies;
But the rude plain beneath the ploughshare's stroke
 Georgics |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell: in the henhouses, in the vegetable garden, and found traces of Snowball
almost everywhere. He would put his snout to the ground, give several deep
sniffs, ad exclaim in a terrible voice, "Snowball! He has been here! I can
smell him distinctly!" and at the word "Snowball" all the dogs let out
blood-curdling growls and showed their side teeth.
The animals were thoroughly frightened. It seemed to them as though
Snowball were some kind of invisible influence, pervading the air about
them and menacing them with all kinds of dangers. In the evening Squealer
called them together, and with an alarmed expression on his face told
them that he had some serious news to report.
"Comrades!" cried Squealer, making little nervous skips, "a most terrible
 Animal Farm |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Emerald City of Oz by L. Frank Baum: has eaten three of our dear Crumpets, and is now devouring a
Salt-rising Biscuit!"
"Oh, Toto! How could you?" exclaimed Dorothy, much distressed.
Toto's mouth was full of his salt-rising victim; so he only whined and
wagged his tail. But Billina, who had flown to the top of a cracker
house to be in a safe place, called out:
"Don't blame him, Dorothy; the Crumpets dared him to do it."
"Yes, and you pecked out the eyes of a Raisin Bunn--one of our best
citizens!" shouted a bread pudding, shaking its fist at the Yellow Hen.
"What's that! What's that?" wailed Mr. Cinnamon Bunn, who had now
joined them. "Oh, what a misfortune--what a terrible misfortune!"
 The Emerald City of Oz |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Mirth by Edith Wharton: Ned Van Alstyne, seated next to her in a coat that made
affliction dapper, twirled his white moustache to conceal the
eager twitch of his lips; and Grace Stepney, red-nosed and
smelling of crape, whispered emotionally to Mrs. Herbert Melson:
"I couldn't BEAR to see the Niagara anywhere else!"
A rustle of weeds and quick turning of heads hailed the opening
of the door, and Lily Bart appeared, tall and noble in her black
dress, with Gerty Farish at her side. The women's faces, as she
paused interrogatively on the threshold, were a study in
hesitation. One or two made faint motions of recognition, which
might have been subdued either by the solemnity of the scene, or
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