Today's Stichomancy for Anonymous

due to the Greek critical spirit. To it we owe the epic, the lyric, the entire drama in every one of its developments, including burlesque, the idyll, the romantic novel, the novel of adventure, the essay, the dialogue, the oration, the lecture, for which perhaps we should not forgive them, and the epigram, in all the wide meaning of that word. In fact, we owe it everything, except the sonnet, to which, however, some curious parallels of thought- movement may be traced in the Anthology, American journalism, to which no parallel can be found anywhere, and the ballad in sham Scotch dialect, which one of our most industrious writers has recently proposed should be made the basis for a final and

thing from what I meant. He wanted me to be his mistress, in fact, but I wasn't in love with him--and on my saying I should go away if he didn't agree to MY plan, he did so. We shared a sitting-room for fifteen months; and he became a leader-writer for one of the great London dailies; till he was taken ill, and had to go abroad. He said I was breaking his heart by holding out against him so long at such close quarters; he could never have believed it of woman. I might play that game once too often, he said. He came home merely to die. His death caused a terrible remorse in me for my cruelty-- though I hope he died of consumption and not of me entirely.

Jude the Obscure

have none but wealthy and exalted people for friends... Ah! You have forgotten the old times, have you?

"It is true that many people have forgotten your past, and are charmed by the sight of your present graceful shape and white wings, and write Chinese verses and Japanese verses about you. The high-born damsel, who could not bear even to look at you in your former shape, now gazes at you with delight, and wants you to perch upon her hairpin, and holds out her dainty fan in the hope that you will light upon it. But this reminds me that there is an ancient Chinese story about you, which is not pretty.

"In the time of the Emperor Genso, the Imperial Palace contained hundreds and thousands of beautiful ladies,-- so many, indeed, that it would have

Kwaidan

once to reconstruct his laboratory and proceed with our experiments. Cavor talked more on my level than he had ever done before, when it came to the question of how we should make the stuff next.

"Of course we must make it again," he said, with a sort of glee I had not expected in him, "of course we must make it again. We have caught a Tartar, perhaps, but we have left the theoretical behind us for good and all. If we can possibly avoid wrecking this little planet of ours, we will. But - there must be risks! There must be. In experimental work there always are. And here, as a practical man, you must come in. For my own part it seems to me we might make it edgeways, perhaps, and very thin. Yet I don't know. I have a certain dim perception of another method. I can

The First Men In The Moon