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Today's Stichomancy for Anonymous

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthydemus by Plato:

spoken either by Euthydemus or Dionysodorus. I dare say, my good Crito, that they may have been spoken by some superior person: that I heard them I am certain.

CRITO: Yes, indeed, Socrates, by some one a good deal superior, as I should be disposed to think. But did you carry the search any further, and did you find the art which you were seeking?

SOCRATES: Find! my dear sir, no indeed. And we cut a poor figure; we were like children after larks, always on the point of catching the art, which was always getting away from us. But why should I repeat the whole story? At last we came to the kingly art, and enquired whether that gave and caused happiness, and then we got into a labyrinth, and when we thought we

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War of the Worlds by H. G. Wells:

None of the telegrams could have been written by an eye- witness of their advance. The Sunday papers printed separate editions as further news came to hand, some even in default of it. But there was practically nothing more to tell people until late in the afternoon, when the authorities gave the press agencies the news in their possession. It was stated that the people of Walton and Weybridge, and all the district were pouring along the roads Londonward, and that was all.

My brother went to church at the Foundling Hospital in the morning, still in ignorance of what had happened on the previous night. There he heard allusions made to the invasion,


War of the Worlds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Two Poets by Honore de Balzac:

colors upon their persons, their husbands availed themselves of the artist's privilege and dressed as they pleased, and curious it was to see the provincial dowdiness of the pair. In their threadbare clothes they looked like the supernumeraries that represent rank and fashion at stage weddings in third-rate theatres.

One of the queerest figures in the rooms was M. le Comte de Senonches, known by the aristocratic name of Jacques, a mighty hunter, lean and sunburned, a haughty gentleman, about as amiable as a wild boar, as suspicious as a Venetian, and jealous as a Moor, who lived on terms of the friendliest and most perfect intimacy with M. du Hautoy, otherwise Francis, the friend of the house.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

The Emperor Rodolph call, who might have heal'd The wounds whereof fair Italy hath died, So that by others she revives but slowly, He, who with kindly visage comforts him, Sway'd in that country, where the water springs, That Moldaw's river to the Elbe, and Elbe Rolls to the ocean: Ottocar his name: Who in his swaddling clothes was of more worth Than Winceslaus his son, a bearded man, Pamper'd with rank luxuriousness and ease. And that one with the nose depress, who close


The Divine Comedy (translated by H.F. Cary)