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Today's Stichomancy for Anonymous

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Call of Cthulhu by H. P. Lovecraft:

but it was the general outline of the whole which made it most shockingly frightful. Behind the figure was a vague suggestions of a Cyclopean architectural background. The writing accompanying this oddity was, aside from a stack of press cuttings, in Professor Angell's most recent hand; and made no pretense to literary style. What seemed to be the main document was headed "CTHULHU CULT" in characters painstakingly printed to avoid the erroneous reading of a word so unheard-of. This manuscript was divided into two sections, the first of which was headed "1925 - Dream and Dream Work of H.A. Wilcox, 7 Thomas St., Providence, R. I.", and the


Call of Cthulhu
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Second Home by Honore de Balzac:

butterflies in the azure air, as illogical as the melodious murmur of the fields, and, like it, full of mysterious love. At that season is not the rural country as tremulous as a bride that has donned her marriage robe; does it not invite the coldest soul to be happy? What heart could remain unthawed, and what lips could keep its secret, on leaving the gloomy streets of the Marais for the first time since the previous autumn, and entering the smiling and picturesque valley of Montmorency; on seeing it in the morning light, its endless horizons receding from view; and then lifting a charmed gaze to eyes which expressed no less infinitude mingled with love?

The Stranger discovered that Caroline was sprightly rather than witty,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

argue it out. He decided to argue it out, and endeavored to explain to my father how painful it would be for his friends after his death to hear people blaming him for not having taken any steps, despite his strong opinion on the subject, to see that his wishes were carried out, and for having thereby helped to transfer his copyrights to the members of his family. Tolstoy promised to think it over, and left the room again. At dinner Sófya Andréyevna "was evidently far from having any suspicions." When Tolstoy was not by, however, she asked Mr. Strakhof what he had come down about. Inasmuch as Mr.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herodias by Gustave Flaubert:

the throng.

At the same moment, the panels of the gold-railed balcony were folded back, and, accompanied by slaves bearing wax tapers, Herodias appeared, her coiffure crowned with an Assyrian mitre, which was held in place by a band passing under the chin. Her dark hair fell in ringlets over a scarlet peplum with slashed sleeves. On either side of the door through which one stepped into the gallery, stood a huge stone monster, like those of Atrides; and as Herodias appeared between them, she looked like Cybele supported by her lions. In her hands she carried a patera, a shallow vessel of silver used by the Romans in pouring libations; and, advancing to the front of the balcony and


Herodias