| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac: brush, my good Fougeres, you had better leave colors with Brullon, and
not take the canvas of others. Go home early, put on your cotton
night-cap, and be in bed by nine o'clock. The next morning early go to
some government office, ask for a place, and give up art."
"My dear friend," said Fougeres, "my picture is already condemned; it
is not a verdict that I want of you, but the cause of that verdict."
"Well--you paint gray and sombre; you see nature being a crape veil;
your drawing is heavy, pasty; your composition is a medley of Greuze,
who only redeemed his defects by the qualities which you lack."
While detailing these faults of the picture Schinner saw on Fougeres'
face so deep an expression of sadness that he carried him off to
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft: she was held as a slave. Madame Karl recognised
her at once, and carried her to the house of another
German woman, Mrs. Schubert, who was Salome's
cousin and godmother, and who no sooner set eyes
on her than, without having any intimation that
the discovery had been previously made, she un-
hesitatingly exclaimed, "My God! here is the
long-lost Salome Muller."
The Law Reporter, in its account of this case,
says:--
"As many of the German emigrants of 1818 as
Running a Thousand Miles for Freedom |
