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Today's Stichomancy for Alyssa Milano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Soul of Man by Oscar Wilde:

tedious, common work in the novel form, such silly, vulgar plays as England. It must necessarily be so. The popular standard is of such a character that no artist can get to it. It is at once too easy and too difficult to be a popular novelist. It is too easy, because the requirements of the public as far as plot, style, psychology, treatment of life, and treatment of literature are concerned are within the reach of the very meanest capacity and the most uncultivated mind. It is too difficult, because to meet such requirements the artist would have to do violence to his temperament, would have to write not for the artistic joy of writing, but for the amusement of half-educated people, and so

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

struggle of right against passion - you leave all the burden to me; - and not satisfied with that, you do your utmost to fight against me - when you know that! - ' she paused, and hid her face in her handkerchief.

'Forgive me, Helen!' pleaded I. 'I will never utter another word on the subject. But may we not still meet as friends?'

'It will not do,' she replied, mournfully shaking her head; and then she raised her eyes to mine, with a mildly reproachful look that seemed to say, 'You must know that as well as I.'

'Then what must we do?' cried I, passionately. But immediately I added in a quieter tone - 'I'll do whatever you desire; only don't

The Tenant of Wildfell Hall
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Exiles by Honore de Balzac:

his word, which proclaimed the Divine Unity, while ascribing to God and His angels the knowledge, the ends to which the means shone resplendent to the eyes of man. Fortified by the demonstrations that proved the existence of the world of Matter, Doctor Sigier constructed the scheme of a spiritual world dividing us from God by an ascending scale of spheres, just as the plant is divided from man by an infinite number of grades. He peopled the heavens, the stars, the planets, the sun.

Quoting Saint Paul, he invested man with a new power; he might rise, from globe to globe, to the very Fount of eternal life. Jacob's mystical ladder was both the religious formula and the traditional

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Whirligigs by O. Henry:

"is the frost that gathers on the scene in question the work of the lady or the gentleman who takes part in it?"

The middle-aged youth looked pained.

"I regret to say," he answered, "that Miss Carroll seems to have lost her grip on that scene. She's all right in the rest of the play, but -- but I tell you, sergeant, she can do it -- she has done it equal to any of 'em -- and she can do it again."

Miss Carroll ran forward, glowing and palpitating.

"Thank you, Jimmy, for the first good word I've had