| The first excerpt represents the past or something you must release, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs: fourth--within striking distance of the Black Princess.
Another move and the game would be lost to Gahan unless the
Orange Odwar was overthrown, or Tara moved to a position of
safety; but to move his Princess now would be to admit his belief
in the superiority of the Orange. In the three squares allowed
him he could not place himself squarely upon the square occupied
by the Odwar of U-Dor's Princess. There was only one player upon
the Black side that might dispute the square with the enemy and
that was the Chief's Odwar, who stood upon Gahan's left. Gahan
turned upon his thoat and looked at the man. He was a splendid
looking fellow, resplendent in the gorgeous trappings of an
The Chessmen of Mars |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Intentions by Oscar Wilde: work different from his own.
GILBERT. It is impossible for him to do so. Wordsworth saw in
ENDYMION merely a pretty piece of Paganism, and Shelley, with his
dislike of actuality, was deaf to Wordsworth's message, being
repelled by its form, and Byron, that great passionate human
incomplete creature, could appreciate neither the poet of the cloud
nor the poet of the lake, and the wonder of Keats was hidden from
him. The realism of Euripides was hateful to Sophokles. Those
droppings of warm tears had no music for him. Milton, with his
sense of the grand style, could not understand the method of
Shakespeare, any more than could Sir Joshua the method of
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The third excerpt represents the future or something you must embrace, and is drawn from Hiero by Xenophon: days in peace and safety."
But for the tyrant it is again exactly the reverse.[9] Instead of
aiding or avenging their despotic lord, cities bestow large honours on
the slayer of a tyrant; ay, and in lieu of excommunicating the
tyrannicide from sacred shrines,[10] as is the case with murderers of
private citizens, they set up statues of the doers of such deeds[11]
in temples.
[9] "Matters are once more reversed precisely," "it is all 'topsy-
turvy.'"
[10] "And sacrifices." Cf. Dem. "c. Lept." 137, {en toinun tois peri
touton nomois o Drakon . . . katharon diorisen einai}. "Now in the
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