The first excerpt represents the past or something you must release, and is drawn from Poor and Proud by Oliver Optic: proudest moment she had known for many a day.
"How long has your mother lived in my house?" asked Mrs. Gordon.
"About three years, ma'am; and she always paid her rent till this
month," replied Katy.
"If she had not, Dr. Flynch would have turned her into the
street," added Grace; and it was evident the beautiful young lady
had no special regard for that worthy gentleman.
"We have tried hard enough to pay the rent this month," continued
Katy; and she proceeded to tell the story of the silver watch,
that had belonged to her father.
"This is dreadful, mother; let us do something about it," said
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley: the body of a sea animal must be at the same pressure as that of
the water outside it, the two pressures must balance each other;
and the body, instead of being crushed in, may be unconscious that
it is living under a weight of two or three miles of water. But so
it is; as we gather our curiosities at low-tide mark, or haul the
dredge a mile or two out at sea, we may allow our fancy to range
freely out to the westward, and down over the subaqueous cliffs of
the hundred-fathom line, which mark the old shore of the British
Isles, or rather of a time when Britain and Ireland were part of
the continent, through water a mile, and two, and three miles deep,
into total darkness, and icy cold, and a pressure which, in the
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The third excerpt represents the future or something you must embrace, and is drawn from The Taming of the Shrew by William Shakespeare: BIONDELLO.
You saw my master wink and laugh upon you?
LUCENTIO.
Biondello, what of that?
BIONDELLO.
Faith, nothing; but has left me here behind to expound
the meaning or moral of his signs and tokens.
LUCENTIO.
I pray thee moralize them.
BIONDELLO.
Then thus: Baptista is safe, talking with the
 The Taming of the Shrew |