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Today's Stichomancy for Ashton Kutcher

The first excerpt represents the past or something you must release, and is drawn from The Prince by Nicolo Machiavelli:

Machiavelli was the accredited agent of the Florentine Republic to Cesare Borgia (1478-1507) during the transactions which led up to the assassinations of the Orsini and Vitelli at Sinigalia, and along with his letters to his chiefs in Florence he has left an account, written ten years before "The Prince," of the proceedings of the duke in his "Descritione del modo tenuto dal duca Valentino nello ammazzare Vitellozzo Vitelli," etc., a translation of which is appended to the present work.

Because, as is stated above, he who has not first laid his foundations may be able with great ability to lay them afterwards, but they will be laid with trouble to the architect and danger to the building. If,

The Prince
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

250. What Europe owes to the Jews?--Many things, good and bad, and above all one thing of the nature both of the best and the worst: the grand style in morality, the fearfulness and majesty of infinite demands, of infinite significations, the whole Romanticism and sublimity of moral questionableness--and consequently just the most attractive, ensnaring, and exquisite element in those iridescences and allurements to life, in the aftersheen of which the sky of our European culture, its evening sky, now glows--perhaps glows out. For this, we artists among the spectators and philosophers, are--grateful to the Jews.

251. It must be taken into the bargain, if various clouds and

Beyond Good and Evil
The third excerpt represents the future or something you must embrace, and is drawn from A Man of Business by Honore de Balzac:

felted covering, moulded to the top of the wearer's cranium, appeared an elderly profile, half-official, half-soldierly, with a comical admixture of arrogance,--altogether something like caricatures of the /Constitutionnel/. The sometime official finding that age, and hair- powder, and the conformation of his spine made it impossible to read a word without spectacles, sat displaying a very creditable expanse of chest with all the pride of an old man with a mistress. Like old General Montcornet, that pillar of the Vaudeville, he wore earrings. Denisart was partial to blue; his roomy trousers and well-worn greatcoat were both of blue cloth.

" 'How long is it since that old fogy came here?' inquired Maxime,