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Today's Stichomancy for Avril Lavigne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Resurrection by Leo Tolstoy:

spreading out her aesthetic cleanliness," he said, and looked with a smile at Rintzeva, "and now she will make the tea."

The whole presence of this man--his motion, his voice, his look--seemed to breathe vigour and merriment. The other newcomer was just the reverse of the first. He looked despondent and sad. He was short, bony, had very prominent cheek bones, a sallow complexion, thin lips and beautiful, greenish eyes, rather far apart. He wore an old wadded coat, top-boots and goloshes, and was carrying two pots of milk and two round boxes made of birch bark, which he placed in front of Rintzeva. He bowed to Nekhludoff, bending only his neck, and with his eyes fixed on

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from One Basket by Edna Ferber:

color. Old Red Front Huckins used to chase her away, but she always turned up again, somehow, with a dish for the lunch counter or with an armful of clean towels.

Ben Westerveld never said clearly to himself, "I want to marry Bella." He never dared meet the thought. He intended honestly to marry Emma Byers. But this thing was too strong for him. As for Bella, she laughed at him, but she was scared, too. They both fought the thing, she selfishly, he unselfishly, for the Byers girl, with her clear, calm eyes and her dependable ways, was heavy on his heart. Ben's appeal for Bella was merely that of the magnetic male. She never once thought of his finer

One Basket
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Unseen World and Other Essays by John Fiske:

known and the least known to the modern scholar. From the dogmatic point of view he is the best known, from the historic point of view he is the least known. The Christ of dogma is in every lineament familiar to us from early childhood; but concerning the Jesus of history we possess but few facts resting upon trustworthy evidence, and in order to form a picture of him at once consistent, probable, and distinct in its outlines, it is necessary to enter upon a long and difficult investigation, in the course of which some of the most delicate apparatus of modern criticism is required. This circumstance is sufficiently singular to require especial explanation. The case of Sakyamuni, the

The Unseen World and Other Essays
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

As I heavily slip into every pool That skirts the cold cold Sea.

Ye Carpette Knyghte

I have a horse - a ryghte good horse - Ne doe Y envye those Who scoure ye playne yn headye course Tyll soddayne on theyre nose They lyghte wyth unexpected force Yt ys - a horse of clothes.

I have a saddel - "Say'st thou soe? Wyth styrruppes, Knyghte, to boote?"