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Today's Stichomancy for Ben Affleck

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Red Inn by Honore de Balzac:

the sky through the window, as the landlord was fastening the door.

The lapping of the river against the wharf was the only sound to be heard.

"Messieurs," said the merchant, "permit me to offer you a few bottles of wine to wash down the carp. We'll ease the fatigues of the day by drinking. From your manner and the state of your clothes, I judge that you have made, like me, a good bit of a journey to-day."

The two friends accepted, and the landlord went out by a door through the kitchen to his cellar, situated, no doubt, under this portion of the building. When five venerable bottles which he presently brought back with him appeared on the table, the wife brought in the rest of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Damnation of Theron Ware by Harold Frederic:

of the restless night, it was the kiss that bore him sweet company, and wandered with him from one broken dream of bliss to another. Next day, it was the kiss that made of life for him a sort of sunlit wonderland. He preached his sermon in the morning, and took his appointed part in the other services of afternoon and evening, apparently to everybody's satisfaction: to him it was all a vision.

When the beautiful full moon rose, this Sunday evening, and glorified the clearing and the forest with its mellow harvest radiance, he could have groaned with the burden


The Damnation of Theron Ware
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

solace and inspiration of his life. These he has set beyond the reach of any fate that only menaces himself; and it makes small difference whether he die five thousand years, or five thousand and fifty years, before the good epoch for which he faithfully labours. He has not deceived himself; he has known from the beginning that he followed the pillar of fire and cloud, only to perish himself in the wilderness, and that it was reserved for others to enter joyfully into possession of the land. And so, as everything grows grayer and quieter about him, and slopes towards extinction, these unfaded visions accompany his sad decline, and follow him, with

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Exiles by Honore de Balzac:

to stand unmoved before a furious mob and to face the greatest dangers. He seemed to move in a sphere apart, where he poised above humanity. His gestures, no less than his look, were full of irresistible power; his lean hands were those of a soldier; and if your own eyes were forced to fall before his piercing gaze, you were no less sure to tremble when by word or action he spoke to your soul. He moved in silent majesty that made him seem a king without his guard, a god without his rays.

His dress emphasized the ideas suggested by the peculiarities of his mien and face. Soul, body, and garb were in harmony, and calculated to impress the coldest imagination. He wore a sort of sleeveless gown of