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Today's Stichomancy for Brad Pitt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fanny Herself by Edna Ferber:

true. Then he knocked the ashes out of his pipe and fell asleep there by the fire, effacing himself as effectually as one of three people can in a single room. They talked; low- toned murmurings that they seemed to find exquisitely meaningful or witty, by turn. Fanny, rubbing a forefinger (his) along her weather-roughened nose, would say, "At least you've seen me at my worst."

Or he, mock serious: "I think I ought to tell you that I'm the kind of man who throws wet towels into the laundry hamper."

But there was no mirth in Fanny's voice when she said,

Fanny Herself
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

Olson was looking up, and seeing what was poking about in the tower, ran for an ax; nor did he hesitate a moment when he returned with one, but sprang up the ladder and commenced chopping away at that hideous face. The thing didn't have sufficient brainpan to entertain more than a single idea at once. Though chopped and hacked, and with a bullethole between its eyes, it still persisted madly in its attempt to get inside the tower and devour Olson, though its body was many times the diameter of the hatch; nor did it cease its efforts until after Olson had succeeded in decapitating it. Then the two men went on deck through the main hatch, and while one kept watch, the other

The Land that Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

wagon and take him for a little walk along the road. In front of the house, mind--where I can see you. Don't stand there, gaping! Then come in when I call you and help me cut up the salad."

When she had made the beds the Child stood and looked at them. Gently she stroked the pillow with her hand, and then, just for one moment, let her head rest there. Again the smarting lump in her throat, the stupid tears that fell and kept on falling as she dressed the baby and dragged the little wagon up and down the road.

A man passed, driving a bullock wagon. He wore a long, queer feather in his hat, and whistled as he passed. Two girls with bundles on their shoulders came walking out of the village--one wore a red handkerchief

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cousin Pons by Honore de Balzac:

opportunity to speak. His diffidence touched Schmucke very much.

"I am M. Tabareau's head-clerk, sir," he said; "he sent me here to take charge of your interests, and to superintend the funeral arrangements. Is this your wish?"

"You cannot safe my life, I haf not long to lif; but you vill leaf me in beace!"

"Oh! you shall not be disturbed," said Villemot.

"Ver' goot. Vat must I do for dat?"

"Sign this paper appointing M. Tabareau to act for you in all matters relating to the settlement of the affairs of the deceased."

"Goot! gif it to me," said Schmucke, anxious only to sign it at once.