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Today's Stichomancy for Brittany Murphy

The first excerpt represents the past or something you must release, and is drawn from The Wheels of Chance by H. G. Wells:

deliberately unfolding and refolding some patterns of cretonne. By twenty-one he too may hope to be a full-blown assistant, even as Mr. Hoopdriver. Prints depend from the brass rails above them, behind are fixtures full of white packages containing, as inscriptions testify, Lino, Hd Bk, and Mull. You might imagine to see them that the two were both intent upon nothing but smoothness of textile and rectitude of fold. But to tell the truth, neither is thinking of the mechanical duties in hand. The assistant is dreaming of the delicious time--only four hours off now--when he will resume the tale of his bruises and abrasions. The apprentice is nearer the long long thoughts of boyhood, and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Astoria by Washington Irving:

made a speech, and declared that they could readily supply Mr. Hunt with all the horses he might want, since, if they had not enough in the village, they could easily steal more. This honest expedient immediately removed the main difficulty; but the chief deferred all trading for a day or two; until he should have time to consult with his subordinate chiefs as to market rates; for the principal chief of a village, in conjunction with his council, usually fixes the prices at which articles shall be bought and sold, and to them the village must conform.

The council now broke up. Mr. Hunt transferred his camp across the river at a little distance below the village, and the left-

The third excerpt represents the future or something you must embrace, and is drawn from The House of Dust by Conrad Aiken:

With soft eyes closed and mouth that feeds, To the young white flesh that warmly bleeds. The maidens circle in dance, and raise From lifting throats, a soft-sung praise; Their knees and breasts are white and bare, They have hung pale roses in their hair, Each of them as she dances by Peers at the blood with a narrowed eye. See how the red wing wraps him round, See how the white youth struggles in vain! The weak arms writhe in a soundless pain;