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Today's Stichomancy for Bruce Willis

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Montezuma's Daughter by H. Rider Haggard:

bridged with the dead. It seemed as though all hell had broken loose upon that narrow ridge of ground. The sound of cannons and of arquebusses, the shrieks of agony and fear, the shouts of the Spanish soldiers, the war-cries of the Aztecs, the screams of wounded horses, the wail of women, the hiss of hurtling darts and arrows, and the dull noise of falling blows went up to heaven in one hideous hurly-burly. Like a frightened mob of cattle the long Spanish array swayed this way and that, bellowing as it swayed. Many rolled down the sides of the causeway to be slaughtered in the water of the lake, or borne away to sacrifice in the canoes, many were drowned in the canals, and yet more were trampled to death in

Montezuma's Daughter
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Domestic Peace by Honore de Balzac:

jealousy of the other ladies, who would gladly have buried that dangerous beauty. She had, of course, no friend to encourage her to maintain the place she first held in the front rank; then each of those treacherous fair ones would have enjoined on the men of her circle on no account to take out our poor friend, under pain of the severest punishment. That, my dear fellow, is the way in which those sweet faces, in appearance so tender and so artless, would have formed a coalition against the stranger, and that without a word beyond the question, 'Tell me, dear, do you know that little woman in blue?'-- Look here, Martial, if you care to run the gauntlet of more flattering glances and inviting questions than you will ever again meet in the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

her way, "and I'm not your kind. I don't know your Eastern ways. But I know what the West does to a man. The war ruined your friend--both his body and mind. . . . How sorry mother and I were for Glenn, those days when it looked he'd sure 'go west,' for good! . . . Did you know he'd been gassed and that he had five hemorrhages?"

"Oh! I knew his lungs had been weakened by gas. But he never told me about having hemorrhages."

"Well, he shore had them. The last one I'll never forget. Every time he'd cough it would fetch the blood. I could tell! . . . Oh, it was awful. I begged him not to cough. He smiled--like a ghost smiling--and he whispered, 'I'll quit.' . . . And he did. The doctor came from Flagstaff and packed

The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

"the red thing that breathes," as the seat and origin of life.

The brain and its functionings he did not comprehend at all. That his sense perceptions were transmitted to his brain and there translated, classified, and labeled was something quite beyond him. He thought that his fingers knew when they touched something, that his eyes knew when they saw, his ears when they heard, his nose when it scented.

He considered his throat, epidermis, and the hairs of his head as the three principal seats of emotion. When Kala had been slain a peculiar choking sensation

The Jungle Tales of Tarzan