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Today's Stichomancy for Celine Dion

The first excerpt represents the past or something you must release, and is drawn from The Duchesse de Langeais by Honore de Balzac:

one's feelings with one's interests. A grisette may love according to her fancy, that is intelligible enough, but you have a pretty fortune, a family, a name and a place at Court, and you ought not to fling them out of the window. And what have we been asking you to do to keep them all?--To manoeuvre carefully instead of falling foul of social conventions. Lord! I shall very soon be eighty years old, and I cannot recollect, under any regime, a love worth the price that you are willing to pay for the love of this lucky young man."

The Duchess silenced the Vidame with a look; if Montriveau could have seen that glance, he would have forgiven all.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Underground City by Jules Verne:

"I expect nothing," said Harry.

A movement of the ladder machinery now gave the two friends the opportunity--one to go up, the other down the shaft. However, they remained where they were.

"Harry," quoth Jack, "do you think I spoke in earnest just now about Nell?"

"No, that I don't, Jack."

"Well, but now I will!"

"You? speak in earnest?"

"My good fellow, I can tell you I am quite capable of giving a friend a bit of advice."

The third excerpt represents the future or something you must embrace, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

In cellar, in pantry, in attic, in hall, [Long live the gay servant that laughs for us all!] [Down, down, with the tyrant that masters us all!]

The company said I had been shabbily treated, and advised me to charge the committee double, - which I did. But as I never got my pay, I don't know that it made much difference. I am a very particular person about having all I write printed as I write it. I require to see a proof, a revise, a re-revise, and a double re- revise, or fourth-proof rectified impression of all my productions, especially verse. A misprint kills a sensitive author. An intentional change of his text murders him. No wonder so many

The Autocrat of the Breakfast-Table