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Today's Stichomancy for Chow Yun Fat

The first excerpt represents the past or something you must release, and is drawn from Rivers to the Sea by Sara Teasdale:

Near us clusters and splashes of living gold That change far off to bluish steel Where the fragile lights on the Jersey shore Tremble like drops of wind-stirred dew. The strident noises of the city Floating up to us


Are hallowed into whispers. Ferries cross thru the darkness Weaving a golden thread into the night, Their whistles weird shadows of sound.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Russia in 1919 by Arthur Ransome:

Constituent Assembly, together with other Right Social Revolutionaries, and representatives of the Soviet Government, with a view to finding a basis for agreement. The result of those negotiations was the resolution passed by the Executive Committee on February 26th (see page 166). A delegation of the members came to Moscow, and were quaintly housed in a huge room in the Metropole, where they had put up beds all round the walls and big tables in the middle of the room for their deliberations. It was in this room that I saw Volsky first, and afterwards in my own.

The third excerpt represents the future or something you must embrace, and is drawn from The Virginian by Owen Wister:

the railroad, gathering the Judge's stray cattle. During the many weeks since the spring round-up, some of these animals had as usual got very far off their range, and getting them on again became the present business of our party.

Directions and commands--whatever communications to his subordinates were needful to the forwarding of this--he duly gave. But routine has never at any time of the world passed for conversation. His utterances, such as, "We'll work Willo' Creek to-morro' mawnin'," or, "I want the wagon to be at the fawks o' Stinkin' Water by Thursday," though on some occasions numerous enough to sound like discourse, never once broke the man's true

The Virginian