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Today's Stichomancy for Claire Forlani

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Philebus by Plato:

must not do what clearly conduces to his own happiness if it is at variance with the good of the whole. Nay, further, he will be taught that when utility and right are in apparent conflict any amount of utility does not alter by a hair's-breadth the morality of actions, which cannot be allowed to deviate from established law or usage; and that the non-detection of an immoral act, say of telling a lie, which may often make the greatest difference in the consequences, not only to himself, but to all the world, makes none whatever in the act itself.

Again, if we are concerned not with particular actions but with classes of actions, is the tendency of actions to happiness a principle upon which we can classify them? There is a universal law which imperatively declares

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

here also see a line (D'A'E') with a bright centre (A'), yet it will shade away LESS RAPIDLY into dimness, because the sides (A'C', A'B') RECEDE LESS RAPIDLY INTO THE FOG: and what appear to me the Physician's extremities, viz. D' and E', will not be NOT SO DIM as the extremities of the Merchant.

The Reader will probably understand from these two instances how -- after a very long training supplemented by constant experience -- it is possible for the well-educated classes among us to discriminate with fair accuracy between the middle and lowest orders, by the sense of sight. If my Spaceland Patrons have grasped this general conception, so far as to conceive the possibility of it

Flatland: A Romance of Many Dimensions
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lily of the Valley by Honore de Balzac:

wishes are combined.

Nullified, as it were, by illness, the count no longer oppressed his wife or his household, the countess then became her natural self; she busied herself with my affairs and showed me a thousand kindnesses. With what joy I discovered in her mind a thought, vaguely conceived perhaps, but exquisitely expressed, namely, to show me the full value of her person and her qualities and make me see the change that would come over her if she lived understood. This flower, kept in the cold atmosphere of such a home, opened to my gaze, and to mine only; she took as much delight in letting me comprehend her as I felt in studying her with the searching eyes of love. She proved to me in all

The Lily of the Valley
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Songs of Travel by Robert Louis Stevenson:

XXI. The morning drum-call on my eager ear XXII. I have trod the upward and downward slope XXIII. He hears with gladdened heart the thunder XXIV. Farewell, fair day and fading light! XXV. IF THIS WERE FAITH - God, if this were enough XXVI. MY WIFE - Trusty, dusky, vivid, true XXVII. TO THE MUSE - Resign the rhapsody, the dream XXVIII. TO AN ISLAND PRINCESS - Since long ago, a child at home XXIX. TO KALAKAUA - The Sliver Ship, my King - that was her name XXX. TO PRINCESS KAIULANI - Forth form her land to mine she goes XXXI. TO MOTHER MARYANNE - To see the infinite pity of this place