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Today's Stichomancy for David Beckham

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells:

golden bed, the bed that was facsimiled from Fontainebleau. And the odd thing is that as I come to this nearer part of my story I find it much more difficult to tell than the clear little perspective memories of the earlier days. Impressions crowd upon one another and overlap one another; I was presently to fall in love again, to be seized by a passion to which I still faintly respond, a passion that still clouds my mind. I came and went between Ealing and my aunt and uncle, and presently between Effie and clubland, and then between business and a life of research that became far more continuous, infinitely more consecutive and memorable than any of these other sets of experiences. I didn't

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Scarecrow of Oz by L. Frank Baum:

continually; and Eureka the Pink Kitten, who lay curled upon a cushion and had rather supercilious manners; and the wooden Sawhorse; and nine tiny piglets that belonged to the Wizard; and a mule named Hank, who belonged to Betsy Bobbin. A fuzzy little terrier dog, named Toto, lay at Dorothy's feet but seldom took part in the conversation, although he listened to every word that was said. But the most wonderful of all to Trot was a square beast with a winning smile, that squatted in a corner of the room and wagged his square head at everyone in quite a jolly way. Betsy told Trot that this unique beast was

The Scarecrow of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

For never woman born of man and maid Had wrought such havoc on the earth as I, Or troubled heaven with a sea of flame That climbed to touch the silent whirling stars And blotted out their brightness ere the dawn. Have I not made the world to weep enough? Give death to me. Yet life is more than death; How could I leave the sound of singing winds, The strong sweet scent that breathes from off the sea, Or shut my eyes forever to the spring? I will not give the grave my hands to hold,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Tanach:

Numbers 24: 13 If Balak would give me his house full of silver and gold, I cannot go beyond the word of the LORD, to do either good or bad of mine own mind; what the LORD speaketh, that will I speak?

Numbers 24: 14 And now, behold, I go unto my people; come, and I will announce to thee what this people shall do to thy people in the end of days.'

Numbers 24: 15 And he took up his parable, and said: The saying of Balaam the son of Beor, and the saying of the man whose eye is opened;

Numbers 24: 16 The saying of him who heareth the words of God, and knoweth the knowledge of the Most High, who seeth the vision of the Almighty, fallen down, yet with opened eyes:

Numbers 24: 17 I see him, but not now; I behold him, but not nigh; there shall step forth a star out of Jacob, and a scepter shall rise out of Israel, and shall smite through the corners of Moab, and break down all the sons of Seth.

Numbers 24: 18 And Edom shall be a possession, Seir also, even his enemies, shall be a possession; while Israel doeth valiantly.

Numbers 24: 19 And out of Jacob shall one have dominion, and shall destroy the remnant from the city.

Numbers 24: 20 And he looked on Amalek, and took up his parable, and said: Amalek was the first of the nations; but his end shall come to destruction.

Numbers 24: 21 And he looked on the Kenite, and took up his parable, and said: Though firm be thy dwelling-place, and though thy nest be set in the rock;

The Tanach