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Today's Stichomancy for Denzel Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Light of Western Stars by Zane Grey:

the opera when the curtain bad risen upon a particularly well-done piece of stage scenery--a broad space of deep desolateness, reaching away under an infinitude of night sky, illumined by stars. The suggestion it brought of vast wastes of lonely, rugged earth, of a great, blue-arched vault of starry sky, pervaded her soul with a strange, sweet peace.

When the scene was changed she lost this vague new sense of peace, and she turned away from the stage in irritation. She looked at the long, curved tier of glittering boxes that represented her world. It was a distinguished and splendid world--the wealth, fashion, culture, beauty, and blood of a

The Light of Western Stars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Robinson Crusoe by Daniel Defoe:

perhaps could be consistent with life and a state of health in the world.

To come, then, by the just degrees to the particulars of this part of my story. You may suppose, that having now lived almost four years in the Brazils, and beginning to thrive and prosper very well upon my plantation, I had not only learned the language, but had contracted acquaintance and friendship among my fellow-planters, as well as among the merchants at St. Salvador, which was our port; and that, in my discourses among them, I had frequently given them an account of my two voyages to the coast of Guinea: the manner of trading with the negroes there, and how easy it was to purchase

Robinson Crusoe
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ann Veronica by H. G. Wells:

hands, gulped, and gave way to tears.

Her aunt leaped unhappily to the thought of penitence.

"My dear," she began, with an affectionate hand on Ann Veronica's shoulder, "I do SO wish you would realize how it grieves your father."

Ann Veronica flung away from her hand, and the pepper-pot on the tray upset, sending a puff of pepper into the air and instantly filling them both with an intense desire to sneeze.

"I don't think you see," she replied, with tears on her cheeks, and her brows knitting, "how it shames and, ah!--disgraces me--AH TISHU!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Last War: A World Set Free by H. G. Wells:

gesture with his left arm to the gloomy man behind and then gripped his little wheel with both hands, crouched over it, and twisted his neck to look upward. He was attentive, tightly strung, but quite contemptuous of their ability to hurt him. No German alive, he was assured, could outfly him, or indeed any one of the best Frenchmen. He imagined they might strike at him as a hawk strikes, but they were men coming down out of the bitter cold up there, in a hungry, spiritless, morning mood; they came slanting down like a sword swung by a lazy man, and not so rapidly but that he was able to slip away from under them and get between them and Berlin. They began challenging him in German

The Last War: A World Set Free