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Today's Stichomancy for Elisha Cuthbert

The first excerpt represents the past or something you must release, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

unknown, invisible, will compel you to bury your poetry within your soul and turn your projects into dreams.

The illustrious Gaudissart was fated to encounter here in Vouvray one of those indigenous jesters whose jests are not intolerable solely because they have reached the perfection of the mocking art. Right or wrong, the Tourangians are fond of inheriting from their parents. Consequently the doctrines of Saint-Simon were especially hated and villified among them. In Touraine hatred and villification take the form of superb disdain and witty maliciousness worthy of the land of good stories and practical jokes,--a spirit which, alas! is yielding, day by day, to that other spirit which Lord Byron has characterized as

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bucky O'Connor by William MacLeod Raine:

warden of the prison. The other end, the one opening from the palace, I had finished after I became governor."

"But surely the men who built it know of its existence."

Again Megales smiled. "I thought you knew me better, Carlo. The Yaquis who built this were condemned raiders. I postponed their execution a few months while they were working on this. It was a convenience both to them and to me."

"And is also a convenience to me," smiled Carlo, who was beginning to recover from his terror.

"But I don't quite understand yet how we are to get out of here except by going back the way we came," said Gabilonda.

The third excerpt represents the future or something you must embrace, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

the thoat and as they ran over the splendid trappings and the serviceable arms a new light came into the pain-dulled eyes of the panthan. With a quick step he crossed to the side of the dead warrior and dragged him from his mount. With equal celerity he stripped him of his harness and his arms, and tearing off his own, donned the regalia of the dead man. Then he hastened back to the room in which he had been trapped, for there he had seen that which he needed to make his disguise complete. In a cabinet he found them--pots of paint that the old taxidermist had used to place the war-paint in its wide bands across the cold faces of dead warriors.

The Chessmen of Mars