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Today's Stichomancy for Elizabeth Taylor

The first excerpt represents the past or something you must release, and is drawn from Life on the Mississippi by Mark Twain:

Natchez 17 11 Cole's Creek 19 21 Waterproof 18 53 Rodney 20 45 St. Joseph 21 02 Grand Gulf 22 06 Hard Times 22 18 Half Mile below Warrenton 1 Vicksburg 1 38 Milliken's Bend 1 2 37 Bailey's 1 3 48

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Man of Business by Honore de Balzac:

I am madly in love with her; but this is not her furniture; no, it belongs to me. The lease is taken out in my name.'

"You know Maxime! He thought the coach-builder uncommonly green. Croizeau might pay all three bills, and get nothing for a long while; for Maxime felt more infatuated with Antonia than ever."

"I can well believe it," said La Palferine. "She is the /bella Imperia/ of our day."

"With her rough skin!" exclaimed Malaga; "so rough, that she ruins herself in bran baths!"

"Croizeau spoke with a coach-builder's admiration of the sumptuous furniture provided by the amorous Denisart as a setting for his fair

The third excerpt represents the future or something you must embrace, and is drawn from New Arabian Nights by Robert Louis Stevenson:

He took in these features of the scene with mechanical glances, but his mind was still unable to piece together or draw a rational conclusion from what he saw. And when he heard footsteps advancing on the gravel, although he turned his eyes in that direction, it was with no thought either for defence or flight.

The new-comer was a large, coarse, and very sordid personage, in gardening clothes, and with a watering-pot in his left hand. One less confused would have been affected with some alarm at the sight of this man's huge proportions and black and lowering eyes. But Harry was too gravely shaken by his fall to be so much as terrified; and if he was unable to divert his glances from the