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Today's Stichomancy for Eminem

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Desert Gold by Zane Grey:

that put Cameron on the rack. He had faced death too often to be afraid. It was the thought of adding torture to this long-suffering man. All at once Cameron swore that he would not augment Warren's trouble, or let him stain his hands with blood. He would tell the truth of Nell's sad story and his own, and make what amends he could.

Then Cameron's thought shifted from father to daughter. She was somewhere beyond the dim horizon line. In those past lonely hours by the campfire his fancy had tortured him with pictures of Nell. But his remorseful and cruel fancy had lied to him. Nell had struggled upward out of menacing depths. She had reconstructed a broken life. And now she was fighting for the name and happiness


Desert Gold
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Northanger Abbey by Jane Austen:

Catherine had never wanted comfort more, and he looked as if he was aware of it.

The evening wore away with no abatement of this soothing politeness; and her spirits were gradually raised to a modest tranquillity. She did not learn either to forget or defend the past; but she learned to hope that it would never transpire farther, and that it might not cost her Henry's entire regard. Her thoughts being still chiefly fixed on what she had with such causeless terror felt and done, nothing could shortly be clearer than that it had been all a voluntary, self-created delusion,


Northanger Abbey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

which had been wrung from it by centuries of struggles. Instead of society itself having conquered a new point, only the State appears to have returned to its oldest form, to the simply brazen rule of the sword and the club. Thus, upon the "coup de main" of February, 1848, comes the response of the "coup de tete" December, 1851. So won, so lost. Meanwhile, the interval did not go by unutilized. During the years 1848-1851, French society retrieved in abbreviated, because revolutionary, method the lessons and teachings, which--if it was to be more than a disturbance of the surface-should have preceded the February revolution, had it developed in regular order, by rule, so to say. Now French society seems to have receded behind its point of departure; in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Silas Marner by George Eliot:

"Well, I think Miss Nancy's a-coming round again," said Ben, "for Master Godfrey doesn't look so down-hearted to-night. And I see he's for taking her away to sit down, now they're at the end o' the dance: that looks like sweethearting, that does."

The reason why Godfrey and Nancy had left the dance was not so tender as Ben imagined. In the close press of couples a slight accident had happened to Nancy's dress, which, while it was short enough to show her neat ankle in front, was long enough behind to be caught under the stately stamp of the Squire's foot, so as to rend certain stitches at the waist, and cause much sisterly agitation in Priscilla's mind, as well as serious concern in Nancy's. One's


Silas Marner