Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Eva Mendes

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Riverman by Stewart Edward White:

as so many particularly shining virtues. Orde soon discovered that Carroll went out in society very little for the simple reason that she could never give an unqualified acceptance to an invitation. At the last moment, when she had donned her street wraps and the carriage was at the door, she was liable to be called back, either to assist at some religious function, which, by its sacred character, was supposed to have precedence over everything, or to attend a nervous crisis, brought on by some member of the household, or by mere untoward circumstances. The girl always acquiesced most sweetly in these recurrent disappointments. And the very fact that she accepted few invitations gave Orde many more chances to see her,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

She sat up with him at night through the anxious weeks of his illness, studying her parts by his bedside. Lucien was in danger for two long months; and often at the theatre Coralie acted her frivolous role with one thought in her heart, "Perhaps he is dying at this moment."

Lucien owed his life to the skill and devotion of a friend whom he had grievously hurt. Bianchon had come to tend him after hearing the story of the attack from d'Arthez, who told it in confidence, and excused the unhappy poet. Bianchon suspected that d'Arthez was generously trying to screen the renegade; but on questioning Lucien during a lucid interval in the dangerous nervous fever, he learned that his patient was only responsible for the one serious article in Hector

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

wood which dealt death so swiftly and unerringly.

At length he came to a great tree, heavy laden with thick foliage and loaded with pendant loops of giant creepers. From this almost impenetrable bower above the village he crouched, looking down upon the scene below him, wondering over every feature of this new, strange life.

There were naked children running and playing in the village street. There were women grinding dried plantain in crude stone mortars, while others were fashioning cakes from the powdered flour. Out in the fields he could see still other women hoeing, weeding, or gathering.


Tarzan of the Apes
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Middlemarch by George Eliot:

"Look here! all this is about a landlord not a hundred miles from Middlemarch, who receives his own rents. They say he is the most retrogressive man in the county. I think you must have taught them that word in the `Pioneer.'"

"Oh, that is Keek--an illiterate fellow, you know. Retrogressive, now! Come, that's capital. He thinks it means destructive: they want to make me out a destructive, you know," said Mr. Brooke, with that cheerfulness which is usually sustained by an adversary's ignorance.

"I think he knows the meaning of the word. Here is a sharp stroke or two. If we had to describe a man who is retrogressive in the most evil sense of the word--we should say, he is one who would


Middlemarch