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Today's Stichomancy for Faith Hill

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

and also to unearth and disclose.--It is otherwise with the second type of morality, SLAVE-MORALITY. Supposing that the abused, the oppressed, the suffering, the unemancipated, the weary, and those uncertain of themselves should moralize, what will be the common element in their moral estimates? Probably a pessimistic suspicion with regard to the entire situation of man will find expression, perhaps a condemnation of man, together with his situation. The slave has an unfavourable eye for the virtues of the powerful; he has a skepticism and distrust, a REFINEMENT of distrust of everything "good" that is there honoured--he would fain persuade himself that the very happiness


Beyond Good and Evil
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

the service of the Saxon State, carrying an assured professional position and livelihood with it In 1848, the year of revolutions, the discontented middle class, unable to rouse the Churchand-State governments of the day from their bondage to custom, caste, and law by appeals to morality or constitutional agitation for Liberal reforms, made common cause with the starving wage-working class, and resorted to armed rebellion, which reached Dresden in 1849. Had Wagner been the mere musical epicure and political mugwump that the term "artist" seems to suggest to so many critics and amateurs--that is, a creature in their own lazy likeness--he need have taken no more part in the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Frankenstein by Mary Shelley:

benevolence and sweetness that I never saw equalled. But he is generally melancholy and despairing, and sometimes he gnashes his teeth, as if impatient of the weight of woes that oppresses him.

When my guest was a little recovered I had great trouble to keep off the men, who wished to ask him a thousand questions; but I would not allow him to be tormented by their idle curiosity, in a state of body and mind whose restoration evidently depended upon entire repose. Once, however, the lieutenant asked why he had come so far upon the ice in so strange a vehicle.

His countenance instantly assumed an aspect of the deepest gloom, and he replied, "To seek one who fled from me."


Frankenstein
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

him and his executioners -- two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as "support," that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest -- a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at


An Occurrence at Owl Creek Bridge