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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

to an angle, being inferior in this respect to the very lowest of the Isosceles, they are consequently wholly devoid of brain-power, and have neither reflection, judgment nor forethought, and hardly any memory. Hence, in their fits of fury, they remember no claims and recognize no distinctions. I have actually known a case where a Woman has exterminated her whole household, and half an hour afterwards, when her rage was over and the fragments swept away, has asked what has become of her husband and her children.

Obviously then a Woman is not to be irritated as long as she is in a position where she can turn round. When you have them in their apartments -- which are constructed with a view


Flatland: A Romance of Many Dimensions
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Bride of Lammermoor by Walter Scott:

superstitious eye, Lucy Ashton, folded in her plaided mantle, with her long hair, escaping partly from the snood and falling upon her silver neck, might have suggested the idea of the murdered Nymph of the fountain. But Ravenswood only saw a female exquisitely beautiful, and rendered yet more so in his eyes--how could it be otherwise?--by the consciousness that she had placed her affections on him. As he gazed on her, he felt his fixed resolution melting like wax in the sun, and hastened, therefore, from his concealment in the neighbouring thicket. She saluted him, but did not arise from the stone on which she was seated.

"My madcap brother," she said, "has left me, but I expect him


The Bride of Lammermoor
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Apology by Xenophon:

impending trial, he roundly put it to him whether he ought not to be debating the line of his defence, to which Socrates in the first instance answered: "What! do I not seem to you to have spent my whole life in meditating my defence?" And when Hermogenes asked him, "How?" he added: "By a lifelong persistence in doing nothing wrong, and that I take to be the finest practice for his defence which a man could devise." Presently reverting to the topic, Hermogenes demanded: "Do you not see, SOcrates, how often Athenian juries[8] are constrained by arguments to put quite innocent people to death, and not less often to acquit the guilty, either through some touch of pity excited by the pleadings, or that the defendant had skill to turn some charming


The Apology
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Research Magnificent by H. G. Wells:

close behind him wondering.

"When you get to Monastir, young man," she told him, inaudibly, "you will go straight to bed and we'll see what has to be done with you."

"AMMALATO," said Giorgio confidentially, coming abreast of her.

"MEDICO IN MONASTIR," said Amanda.

"SI,--MOLTI MEDICI, MONASTIR," Giorgio agreed.

Then came the inevitable dogs, big white brutes, three in full cry charging hard at Benham and a younger less enterprising beast running along the high bank above yapping and making feints to descend.

The goatherd, reclining under the shadow of a rock, awaited Benham's