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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Facino Cane by Honore de Balzac:

my infirmity was brought on by my sojourn in the cell and my work in the stone, if, indeed, my peculiar faculty for 'seeing' gold was not an abuse of the power of sight which predestined me to lose it. Bianca was dead.

"At this time I had fallen in love with a woman to whom I thought to link my fate. I had told her the secret of my name; she belonged to a powerful family; she was a friend of Mme. du Barry; I hoped everything from the favor shown me by Louis XV.; I trusted in her. Acting on her advice, I went to London to consult a famous oculist, and after a stay of several months in London she deserted me in Hyde Park. She had stripped me of all that I had, and left me without resource. Nor could

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrecker by Stevenson & Osbourne:

with the nests of swallows, and the pinnacles of the church were flickered about all day long by a multitude of wings. The town was of Roman foundation; and as I looked out that afternoon from the low windows of the inn, I should scarce have been surprised to see a centurion coming up the street with a fatigue draft of legionaries. In short, Stallbridge- Minster was one of those towns which appear to be maintained by England for the instruction and delight of the American rambler; to which he seems guided by an instinct not less surprising than the setter's; and which he visits and quits with equal enthusiasm.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle by Upton Sinclair:


The little tailor sat tilted back in his stiff kitchen chair, with his feet stretched out upon the empty stove, and speaking in low whispers, so as not to waken those in the next room. To Jurgis he seemed a scarcely less wonderful person than the speaker at the meeting; he was poor, the lowest of the low, hunger-driven and miserable--and yet how much he knew, how much he had dared and achieved, what a hero he had been! There were others like him, too--thousands like him, and all of them workingmen! That all this wonderful machinery of progress had been created by his fellows--Jurgis could not believe it, it

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Paz by Honore de Balzac:

to give the tone, there is no harmony in the production of art. Never, on the other hand, has architecture discovered so many economical ways of imitating the real and the solid, or displayed more resources, more talent, in distributing them. Propose to an architect to build upon the garden at the back of an old mansion, and he will run you up a little Louvre overloaded with ornament. He will manage to get in a courtyard, stables, and if you care for it, a garden. Inside the house he will accommodate a quantity of little rooms and passages. He is so clever in deceiving the eye that you think you will have plenty of space; but it is only a nest of small rooms, after all, in which a ducal family has to turn itself about in the space that its own