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Today's Stichomancy for George Clooney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Love Songs by Sara Teasdale:

That led through heaven's wall.


They came to tell your faults to me, They named them over one by one; I laughed aloud when they were done, I knew them all so well before, -- Oh, they were blind, too blind to see Your faults had made me love you more.

Buried Love

I have come to bury Love Beneath a tree,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Inaugural Address by John F. Kennedy:

This is a retranscription of one of the first Project Gutenberg Etexts, offically dated November 22, 1973-- and now officially re-released on November 22, 1993-- on the 30th anniversary of his assassination.

***The Project Gutenberg Etext of Kennedy's Inaugural Address** #STARTMARK# JFK's Inaugural Address, January 20, 1961, 12:11 EST

We observe today not a victory of party but a celebration of freedom. . . symbolizing an end as well as a beginning. . .signifying renewal as well as change for I have sworn before you and Almighty God the same solemn oath our forbears prescribed nearly a century

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Village Rector by Honore de Balzac:

The episcopal palace at Limoges stands on a hill which slopes to the banks of the Vienne; and its gardens, supported by strong walls topped with a balustrade, descend to the river by terrace after terrace, according to the natural lay of the land. The rise of this hill is such that the suburb of Saint-Etienne on the opposite bank seems to lie at the foot of the lower terrace. From there, according to the direction in which a person walks, the Vienne can be seen either in a long stretch or directly across it, in the midst of a fertile panorama. On the west, after the river leaves the embankment of the episcopal gardens, it turns toward the town in a graceful curve which winds around the suburb of Saint-Martial. At a short distance beyond

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Life in the Iron-Mills by Rebecca Davis:

you. You, Egoist, or Pantheist, or Arminian, busy in making straight paths for your feet on the hills, do not see it clearly,--this terrible question which men here have gone mad and died trying to answer. I dare not put this secret into words. I told you it was dumb. These men, going by with drunken faces and brains full of unawakened power, do not ask it of Society or of God. Their lives ask it; their deaths ask it. There is no reply. I will tell you plainly that I have a great hope; and I bring it to you to be tested. It is this: that this terrible dumb question is its own reply; that it is not the sentence of death we think it, but, from the very extremity of

Life in the Iron-Mills