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Today's Stichomancy for Halle Berry

The first excerpt represents the past or something you must release, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

Brookes made no response. It was a liberty she often felt compelled to take.

The Snows appealed to Madeline even more than did Carintha, Countess of Fleetwood, to whose fortunes she gave long pauses while she looked across their summits at renunciation, and fancied her spirit made strong and equal to its task. She was glad of their sanctuary; she did not know where she should find such another. Perhaps the spectacle was more than ever sublime in its alternative to the one she had come away to postpone the sight of; at all events it drove the reunion of the Inneses from her mind several times for five minutes together, during which she thought of Horace by himself, and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

the man to whom the Princess of Ptarth was betrothed!

How easy for the Heliumite to pass on, leaving his rival to the fate that could not for long be averted! No man could accuse him of cowardice or treachery, for Kulan Tith was in arms against Helium, and, further, upon the Thuria were not enough swords to delay even temporarily the outcome that already was a foregone conclusion in the minds of the watchers.

What would Carthoris, Prince of Helium, do?

Scarce had the device broken to the faint breeze ere the bow of the Thuria dropped at a sharp angle toward the ground.


Thuvia, Maid of Mars
The third excerpt represents the future or something you must embrace, and is drawn from McTeague by Frank Norris:

She took her place in the operating chair. McTeague began the filling. There was a long silence. It was impossible for McTeague to work and talk at the same time.

He was just burnishing the last "mat" in Miss Baker's tooth, when the door of the "Parlors" opened, jangling the bell which he had hung over it, and which was absolutely unnecessary. McTeague turned, one foot on the pedal of his dental engine, the corundum disk whirling between his fingers.

It was Marcus Schouler who came in, ushering a young girl of about twenty.


McTeague