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Today's Stichomancy for Hilary Duff

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Golden Threshold by Sarojini Naidu:

And all my flower-like dreams and gem-like fire Of hopes up-leaping like the light of dawn.

I have no more to give, all that was mine Is laid, a wrested tribute, at thy shrine; Let me depart, for my whole soul is wrung, And all my cheerless orisons are sung; Let me depart, with faint limbs let me creep To some dim shade and sink me down to sleep.

THE SONG OF PRINCESS ZEB-UN-NISSA IN PRAISE OF HER OWN BEAUTY

(From the Persian)

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Old Maid by Honore de Balzac:

bitterness. The soul has its needs, and, like the body, its gymnastics. These uncertainties of temper were accepted by Josette and Jacquelin as changes in the weather are accepted by husbandmen. Those worthy souls remark, "It is fine to-day," or "It rains," without arraigning the heavens. And so when they met in the morning the servants would wonder in what humor mademoiselle would get up, just as a farmer wonders about the mists at dawn.

Mademoiselle Cormon had ended, as it was natural she should end, in contemplating herself only in the infinite pettinesses of her life. Herself and God, her confessor and the weekly wash, her preserves and the church services, and her uncle to care for, absorbed her feeble

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac:

buried herself deep in the hay, hiding her face in it to deaden those dreadful cries--pudency even stronger than grief. She was sobbing and crying like a child, but there was a more poignant, more piteous sound in the sobs. There was nothing left in the world for her. The maid pulled the hay from her, her mistress submitting with the supine listlessness of a dying animal. The maid could find nothing to say but "There! madame; there, there----"

"What is the matter with her? What is it, niece?" the old canon kept on exclaiming.

At last, with the girl's help, I carried Juliette to her room,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson:

Devote his body to the seas, His correspondence to the devil!

Impromptu poem.

I'm going to Shandon Hydropathic CUM PARENTIBUS. Write here. I heard from Lang. Ferrier prayeth to be remembered; he means to write, likes his Tourgenieff greatly. Also likes my 'What was on the Slate,' which, under a new title, yet unfound, and with a new and, on the whole, kindly DENOUEMENT, is going to shoot up and become a star. . . .

I see I must write some more to you about my Monastery. I am a weak brother in verse. You ask me to re-write things that I have